A Quote by Phillip Lopate

I imagined a psychic pain growing inside him (myself) that demanded some physical outlet. Suicide must have been his attempt to give Pain a body, a representation, to put it outside himself. A need to convert inner torment into some outward tangible wound that all could see. It was almost as though suicide were a last-ditch effort at exorcism, in which the person sacrificed his life in order that the devil inside might die.
The whole notion of pain, and how every individual experiences pain, is up for debate. We don't know how another person experiences pain - physical pain or psychic pain. Some of these clinics where assisted suicide or euthanasia is practiced, they call it 'weariness of life.'
...we ask: Why suicide? We search for reasons, causes, and so on.... We follow the course of the life he has now so suddenly terminated as far back as we can. For days we are preoccupied with the question: Why suicide? We recollect details. And yet we must say that everything in the suicide's life- for now we know that all his life he was a suicide, led a suicide's existence- is part of the cause, the reason, for his suicide.
Like we were connected, the echo of his pain twisted inside inside me. his pain, my pain.
He could feel it immediately when his shoulder snapped - the intense pain of his bones cracking. His skin tightened, as if it could no long hold whatever was lurking inside him. The breath was sucked from his lungs like he was being crushed. His vision began to blur, and he had the sensation he was falling, even though he could feel the rock tearing at his flesh as his body seized on the ground.
They can rule the world while they can persuade us our pain belongs in some order is death by famine worse than death by suicide, than a life of famine and suicide...?
They can rule the world while they can persuade us our pain belongs in some order is death by famine worse than death by suicide, than a life of famine and suicide?
Pain held no terror for him. Pain was, if not friend, then family, something he had grown up with in his crèche, learning to respect but never yield to. Pain was simply a message, telling him which limbs he could still use to slaughter his enemies, how far he could still run, and what his chances were in the next battle.
We are talking about an artist; and for the enjoyment of the artist the mask must be to some extent moulded on the face. What he makes outside him must correspond to something inside him; he can only make his effects out of some of the materials of his soul.
From the perspective of the one committing suicide, his or her act can be one of the most perverse forms of moral manipulation, as it abandons those left behind to their shame, guilt, and grief. Suicide is something like a metaphysical "I gotcha!" It is often an attempt to kill or wound others.
It is when we attempt to avoid suffering by withdrawing from anything that might involve hurt, when we try to spare ourselves the effort and pain of pursuing truth, love, and goodness, that we drift into a life of emptiness, in which there may be almost no pain, but the dark sensation of meaninglessness and abandonment is all the greater.
He felt strangely numb. As though from a great distance, he was aware that he was being beaten. The last sensations of pain left him. He no longer felt anything, though very faintly he could hear the impact of the club upon his body. But it was no longer his body, it seemed so far away.
And what shall he suffer who slays him who of all men, as they say, is his own best friend? I mean the suicide, who deprives himself by violence of his appointed share of life. Not because the law of the state requires him. Nor yet under the compulsion of some painful and inevitable misfortune which has come upon him. Nor because he has had to suffer from irremediable and intolerable shame, but who from sloth or want of manliness imposes upon himself an unjust penalty.
I suppose he'll die soon. I'm expecting it, like you do for a dog that's seventeen. There's no way to know how I'll react. He'll have faced his own placid death and slipped without a sound inside himself. Mostly, I imagine I'll crouch there at the door, fall onto him, and cry hard into the stench of his fur. I'll wait for him to wake up, but he won't. I'll bury him. I'll carry him outside, feeling his warmth turn to cold as the horizon frays and falls down in my backyard. For now, though, he's okay. I can see him breathing. He just smells like he's dead.
All suicides have the responsibility of fighting against the temptation of suicide. Every one of them knows very well in some corner of his soul that suicide, though a way out, is rather a mean and shabby one, and that it is nobler and finer to be conquered by life than to fall by one's own hand.
However great a man's fear of life, suicide remains the courageous act, the clear-headed act of a mathematician. The suicide has judged by the laws of chance - so many odds against one that to live will be more miserable than to die. His sense of mathematics is greater than his sense of survival. But think how a sense of survival must clamor to be heard at the last moment, what excuses it must present of a totally unscientific nature.
His master’s pain was his pain. And it hurt him more for his master to be sick than for him to be sick himself. When the house started burning down, that type of Negro would fight harder to put the master’s house out than the master himself would. But then you had another Negro out in the field. The house Negro was in the minority. The masses—the field Negroes were the masses. They were in the majority. When the master got sick, they prayed that he’d die. If his house caught on fire, they'd pray for a wind to come along and fan the breeze.
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