A Quote by Phillip Schofield

I love the fact we do break taboos. — © Phillip Schofield
I love the fact we do break taboos.

Quote Topics

I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
I think it's important to break taboos for the same reason it's important to break laws and rules - because either you're a slave to them, or you're taking matters into your hands.
Remember, taboos are just a map of what a society feels it's acceptable to be neurotic about. Taboos aren't rational.
Music is the only place that I can have no taboos. In real life I have a lot of taboos, and I can't talk about everything easily.
To break the age-old taboos and to see girls and women use pads was a difficult task.
American poetry is always about defining oneself individually,claiming one's right to be different and often to break taboos.
Whenever I see a taboo, I just think that's something we need to drag screaming out into the light and discuss. Because taboos are where our fears live, and taboos are the things that keep us tiny. Particularly for women.
The primary goal is to entertain people because... Fortunately, the kind of movies I have been doing have a certain message, they break taboos, and they are socially relevant. So it's a great mix of content and entertainment.
Let us overthrow the totems, break the taboos. Or better, let us consider them cancelled. Coldly, let us be intelligent.
There is always something taboo, something repressed, unadmitted, or just glimpsed quickly out of the corner of one's eye because a direct look is too unsettling. Taboos lie within taboos, like the skin of an onion.
What I find interesting is working in a society with certain taboos and fashion photography is about that kind of society. To have taboos, then to get around them that is interesting.
The trickster's function is to break taboos, create mischief, stir things up. In the end, the trickster gives people what they really want, some sort of freedom.
Like their parents, kids flock to see James Bond and Derek Flint movies - outrageously antiheroic heroes who break all the taboos, making attractive the very things the kids are told they shouldn't do themselves.
Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death - ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life.
Eroticism differs from animal sexuality in that human sexuality is limited by taboos and the domain of eroticism is that of the transgression of these taboos. Desire in eroticism is the desire that triumphs over the taboo. It presupposes man in conflict with himself.
Things break all the time. Day breaks, waves break, voices break. Promises break. Hearts break.
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