A Quote by Phillipa Soo

My grandmother was a classical pianist, so I grew up with Schubert, Mozart, Beethoven. I studied piano as a kid. My musical background and upbringing was very much a mix.
My own musical background is based in the blues, and in classical composition. I grew up listening to Muddy Waters, John Coltrane, Miles Davis, Beethoven and Bach.
In fact although I have studied in a Conservatory the classical piano, I do not consider myself a classical pianist.
When I was young, I played the piano and studied classical music and jazz. I wanted to be a concert pianist, and if I'd devoted myself to it, I could have been. But it would have been too much work and a very lonely life.
I play the piano and have been playing since I was 7, mainly classical Chopin, Beethoven, Mozart.
I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
I started playing piano when I was eight, and I went on to study piano in school, so I have a background in classical piano and studied composition in school. Writing music came later.
I grew up listening to my parents' albums. Many of them were either classical - Bach, Beethoven and Brahms - or easy listening, like Mantovani. I loved the spectrum of emotions in classical music, from fortissimo to pianissimo. My early passion for classical made my drumming more musical later on.
In my spare time, I’ve been playing a lot of piano. I’m trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It’s fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
I'm trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It's fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.
When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.
Mozart is a garden, Schubert is a forest in light and shade, but Beethoven is a mountain range.
Beethoven, Schubert, Schoenberg, Berg imply a type of pianist who is intellectual. That's not always associated with female soloists.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
I really don't think I have that much of the gift; I have a little bit, but I wish I were Schubert or Chopin or Beethoven, though Beethoven had a very difficult time writing melody, too.
My music wasn't written by Mozart, Beethoven, Bach or Schubert. It's written by God and me. They go "a one and a two and up." We start on the downbeat. Bam! And that's where we got them.
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