A Quote by Phillipa Soo

Now, when building a show, I ask myself the question - like, 'Jumping off this table will be really cool, but can I do that eight times a week?'. — © Phillipa Soo
Now, when building a show, I ask myself the question - like, 'Jumping off this table will be really cool, but can I do that eight times a week?'.
Dear young people, let me now ask you a question. What will you leave to the next generation? Are you building your lives on firm foundations, building something that will endure?
I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.
I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.
I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.
Now we live in this DVD, iTunes, Hulu age, and show creators and networks are realizing that and letting shows develop on those terms rather than 'We gotta just punch it week to week, man.' Now they're like, 'What will happen if someone watches the entire show?'
I'm glad I got to do 'The Last Five Years' and 'Into the Woods,' which are both shows that I just don't think I could have the stamina to do them eight times a week. I just have so much respect for the women who do these vocal roles eight times a week. They're so challenging.
If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask.
Right now, at the age of 22, I'm making a living off of this and I'm building, not only just my brand, but I'm also building myself bell-to-bell. I'm building myself when that red light's on and I want to keep doing it.
I don't want to speak for everyone, but I think it really picks up where the other film left off. It's true to the format. A lot of times, sequels get overblown for the sake of doing it. Even in the trailer, 'there's eight people in the house', that's just the worst thing you can promote in a sequel. Two people, now there's eight, it's like Jurassic Park with the dinosaurs playing video games.
I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".
That execution will take place here." She runs her fingertips over the table beneath her. "On this table. I thought it would be interesting to show you." "I knew what would happen when I came here," I say. "It's just a table. And I'd like to go back to my room now.
I have a streak in myself, like, I'm an exhibi- tionist. There's a side of me that really wants to show off and share parts of myself with others. I mean, that's why I live in New York, and that's why I'm an artist who shows 10 times a year.
I do not really like vacations. I much prefer an occasional day off when I do not feel like working. When I am confronted with a whole week in which I have nothing to do but enjoy myself I do not know where to begin. To me, enjoyment comes fleetingly and unheralded; I cannot determinedly enjoy myself for a whole week at a time.
My schedule is completely different doing a play than it is doing a movie, and I actually think it's a much harder schedule because you've got to do it eight times a week and you've got to do it good eight times a week and with different kinds of audiences who are cold or drunk or tired, whatever it is.
An American has invented a remote control that will turn off any telly within a 20ft radius. What a marvellous device! What a splendid invention! What a really helpful and improving way of devoting your time to building something that turns off culture. Next week, I'm instigating Burn a Book Week, to encourage even more conversation. I've come up with a fantastic little device which I'll call a box of matches.
I read a lot, and I watch a lot of TV and film now. That's my homework. Like I said, my Netflix. I've watched Aliens a couple times this week, Dawn Of The Dead. And that's what's really cool too. It's nostalgia, because I saw these shows, these movies, a lot of them, when I was a kid, and they're different now when you watch them. I'm like, "Wow, I can't believe my family let me watch that," and "I must have missed that the first time around."
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