A Quote by Phillipa Soo
There's the cool factor, right? You see your face on a sign or your name on something, like, 'Ahh! Here I am!' And then there's a huge responsibility and the scary part of it, which is like, 'Now what happens?' And then you realize, 'Oh, yeah, this is my job.'
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When you hit your 40s, you're walking around, and you realize, 'Oh, my God, men don't look at me anymore.' Or sometimes you can feel really good, and then you look in the mirror, and you're like, 'Oh, Jesus, that's my face now!' But I have tell you that something happened and shifted inside of me.
The first time I got into astrology was being in New York. I was like, 'Oh, this is a real thing here!' Now, I'll Google what your sign is and what my sign is to see the predictions of friendship, and I find that really cool. But that's the most I know.
If the right thing comes along and you get an opportunity to be a part of something you believe in, and you think it's cool and want to put your name on it, then you should.
Like I've known Francis [For Coppola] for so long I think, "Oh, Francis." And then you see his name on something with The Godfather, and you go, "Oh, yeah. He's also that." The person you knew of before you met the actual person.
It's like, whether or not you're humiliated or embarrassed or you do well is contingent on the choices that you make in your work. So that is a lot of pressure to be like, 'Oh no, am I doing the right thing? Am I doing something cool? Am I doing something bad?'
Because on that watch list, they would be like, yeah, your name - they told me like, yeah, your name matches the name of a terrorist or someone that they're watching. I was just like, what terrorist is running around with a Hebrew first name and a Muslim - Arabic last - I'm like, who's that guy?
In Buddhist ideology, the conventional self is that which is constructed in a way by the use of the pronoun, and when you realize there is no absolute ego there, no disconnected one, self, or ego, then that actually strengthens your conventional ego. It does so in the sense that then you realize it's a construction, and you can strengthen it in order to help others, or do whatever you're trying to do, it's not like you no longer know who you are. Then you can organize your behavior by using your ego, as it's now the pronoun.
When I was a child, I spoke like a child, I thought like a child, I reasoned like a child; when I became an adult, I put an end to childish ways. For now we see in a mirror, dimly, but then we will see face to face. Now I know only in part; then I will know fully, even as I have been fully known. And now faith, hope, and love abide, these three; and the greatest of these is love.
It's like, the front door of the office is like a Cuisinart, and you walk in, and your day is shredded to bits because you have 15 minutes here, 30 minutes there, and something else happens, you're pulled off your work, then you have 20 minutes, then it's lunch, then you have something else to do.
I think because we're ourselves, we tend to think we're unique. 'I have problems that are just specific to me.' Then you connect with one of your parents and you realize, 'Oh yeah, we had all that stuff, too.' You're not that original. I mean, in a good way, because it makes you feel like you're connected and a part of the world and not an island.
That was kind of scary. You got the sense as a little kid that you might be at risk now, and then you're like, 'Why are we at risk? It's because my grandfather is in charge of all of this.' You can't really realize the magnitude of a job like that when you are eight.
The very first job I did, a Barbie commercial when I was eight or nine, that was like 'Oh my God.' Because when you're watching things on TV, you think it's like a fantasy. But then to actually do it and then see yourself, it's like 'Oh my God.'
I think I was trying to choose a name for him, and my flatmate was like, 'Oh, you should call him Diana.' I was like, 'Yeah. Very funny.' I think someone then said 'Diana Spencer,' and I'd always wanted to call my dog quite like an old person name, like Janet or something like that. 'Spencer' weirdly fit that bill.
If you have a good name, if you are right more often than you are wrong, if your children respect you, if your grandchildren are glad to see you, if your friends can count on you and you can count on them in time of trouble, if you can face your God and say "I have done my best," then you are a success.
What happens between action and cut for me is a blur, I go almost into a whiteout, and then I see the film and I'm like, "Oh that's what I did? Cool!"
A character is never entirely white or black, there's never entirely right or wrong. You have to realize sometimes you face something, and then you change your mind, or then you realize you were wrong.
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