A Quote by Phillipa Soo
All I wanted to do was create theater for us, for our generation, for the people of this planet. And it's so rare that the art that you are making is reaching a huge mass of people.
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I have always wanted my art to service my people - to reflect us, to relate to us, to stimulate us, to make us aware of our potential. We have to create an art for liberation and for life.
Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.
All art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
What makes the voice pathetic is that it doesn't know what kind of people it's reaching. Us. No one hears it, except us. This Age wanted heroes. It got us instead: carefully constructed, but immobile. Subtle but, unfit to take up the burden of the times. It happens. A whole generation of washouts. History says stand up, and we totter and collapse, weeping, moved, but not sufficient.
Nature is so huge. I mean, you can't even look one way! Everything is huge. That was my natural instinct, to create huge art, to create huge pieces. And to me, I still could create bigger works. The opportunity doesn't come along to do anything any bigger. So I've worked as big as I've had the opportunity to work, basically.
The number of nuclear bombs on the planet today - the sheer quantity of weapons of mass destruction in the possession of people and governments throughout the world - along with the fact that the use of brute force and militarism is an almost knee-jerk way of problem-solving on the planet today, makes the eradication of war the great moral issue of this generation.
I think a lot of times our culture has an attitude toward art and the production of art that separates artists from the rest of us, like making art or music or painting or whatever is some magical thing that you have to be inspired to do, and special people do it.
When you're first-generation money, you want to say, "I got a Mercedes and a Rolls and a Lamborghini. Take a look." When you're second-generation money, you're very quiet behind your country club doors. I think that's why people are much more aware. It's the first-generation wives that have the huge rings and the second-generation says, "Everyone be quiet as we get on our yacht or our private plane."
The kind of people who can assemble huge crowds into one spot will be the major influences on mass culture in the next decade. The rock enthusiasts have created some of the most exciting theatrical events on the planet.
There are always forces at work in a society, certainly in America, which are really forces of censorship -either religious bodies or zealots who are always putting pressure on things, whether it's books or art or film. And all art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
I never wanted to be a part of planet Earth, but I am compelled to be here, so anything I do for this planet is because the Master-Creator of the Universe is making me do it. I am of another dimension. I am on this planet because people need me.
I have more pet peeves than anybody: people talking in the movie theater, people eating in the movie theater loudly, people being rude, people making noise when you're supposed to be asleep, like drilling noises outside. I could be here all day.
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries.
I knew that I wanted to be an illustrator since I was in kindergarten. I can remember the exact day. The art teacher usually came to our classroom once a week, but she was absent that day. Instead, our regular teacher gave us each a huge piece of paper and crayons, and we could do whatever we wanted.
As artists we have an extraordinary and rare privilege to tell the stories of our people, our land, our culture. They grip us, tear us apart, and put us back together. We are our stories.
I still hope that more people can create art, even though artistic genres may never be the most popular or money-making genres. But the thing is, I think art is more long-lasting. It stays in people, and it changes them.
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