A Quote by Phillips Brooks

It is not pride when the beech-tree refuses to copy the oak. He knows his limitations. The only chance of any healthy life for him is to be as full a beech-tree as he can. — © Phillips Brooks
It is not pride when the beech-tree refuses to copy the oak. He knows his limitations. The only chance of any healthy life for him is to be as full a beech-tree as he can.
When we shout at the oak tree, the oak tree is not offended. When we praise the oak tree, it doesn't raise its nose. We can learn the Dharma from the oak tree; therefore, the oak tree is part of our Dharmakaya. We can learn from everything that is around, that is in us.
An oak tree is an oak tree. That is all it has to do. If an oak tree is less than an oak tree, then we are all in trouble.
She liked to imagine him stealing a glimpse of her over the backyard fence, proudly watching his strange daughter daydream under the beech tree. Blue was awfully fond of her father, considering she'd never met him.
The tree I had in the garden as a child, my beech tree, I used to climb up there and spend hours. I took my homework up there, my books, I went up there if I was sad, and it just felt very good to be up there among the green leaves and the birds and the sky.
Dictatorship is like a giant beech-tree - very magnificent to look at in its prime, but nothing grows underneath it.
I remember once visiting an outdoor exhibition of sculpture in Arnhem, the Netherlands. One of the artists had placed this notice at the base of a majestic beech: "Statues are hewn by fools like me: only God could make this tree." The Taoists looked at the inside of the tree. They saw God present, not as the super-sculptor, but as the primal force from which the tree drew its being and its specific form. Becoming aware of this divine origin was for them "great knowledge," to be distinguished from the "small knowledge" of our petty, every-day existence.
Do you know that even when you look at a tree and say, `That is an oak tree', or `that is a banyan tree', the naming of the tree, which is botanical knowledge, has so conditioned your mind that the word comes between you and actually seeing the tree? To come in contact with the tree you have to put your hand on it and the word will not help you to touch it.
The apple tree never asks the beech how he shall grow, nor the lion, the horse, how he shall take his prey.
Then here 's to the oak, the brave old oak, Who stands in his pride alone! And still flourish he a hale green tree When a hundred years are gone!
If you go to a tree with an ax and take five whacks at the tree every day, it doesn't matter if it's an oak or a redwood; eventually the tree has to fall down.
What we want is another sample of life, which is not on our tree of life at all. All life that we've studied so far on Earth belongs to the same tree. We share genes with mushrooms and oak trees and fish and bacteria that live in volcanic vents and so on that it's all the same life descended from a common origin. What we want is a second tree of life. We want alien life, alien not necessarily in the sense of having come from space, but alien in the sense of belonging to a different tree altogether. That is what we're looking for, "life 2.0."
When the Lord starts out to make an oak tree, he takes a hundred years to do it in, but he can make a pumpkin in 90 days. More or less life is like that. We must choose whether we desire to become and oak tree or a pumpkin.
The winter oak... is very useful in buildings but when in a moist place it takes in water to its centre... and so it rots. The Turkey oak and the beech both... take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus... are of great service from their stiffness... they are a convenient material to use in carving.
If an artist tells you "this is an oak tree," then it better be an oak tree. It's how you proclaim things; if you say "the silence is the music," then it's the music.
When you draw or paint a tree, you do not imitate the tree; you do not copy it exactly as it is, which would be mere photography. To be free to paint a tree or a flower or a sunset, you have to feel what it conveys to you: the significance, the meaning of it.
The oak roars when a high wind wrestles with it; the beech shrieks; the elm sends forth a long, deep groan; the ash pours out moans of thrilling anguish.
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