A Quote by Phoebe Bridgers

I don't remember making a decision about music. I just always knew it was what I was going to do. — © Phoebe Bridgers
I don't remember making a decision about music. I just always knew it was what I was going to do.
It was a natural thing for me to go become a musician, and then to start writing music. I don't even really remember making a decision to go into music, it was just there for me, always. If I weren't making a living at it, I'd still be writing music.
You're always having those life-skills type discussions about decision-making. It's just making sure you're making good decisions and going about your business. There are distractions in every city.
I knew as a kid that every decision I was going to be making, I would have full responsibility. So I knew I had to do what's right and protect myself, you know?
I don't even remember hearing about [Immorality Act of 1927]. I just knew about it. I was born into it, so I don't remember my parents ever saying it to me. I don't remember a conversation ever being had around this. I just knew this to be the law because that's what I was growing up in during that time in South Africa.
I wasn't that academic, but I always made sure I was earning money. I never wanted to put all my eggs in one basket. Even when I started doing music, my parents were like, 'You need to work; you can't just live off music.' I always knew that. So I worked until I knew I was going to be financially okay.
I think I made this decision that I just loved making music, and it didn't matter what level I got to do it on, and 'Fight Song' was this declaration that I'm going to keep going, and I'm going to keep believing in myself, even if it seems like it's impossible.
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
There's always something going on, and people need that 45-minute-to-an-hour-and-15-minute break, where they just escape and not worry about bills, health care and God knows what. That, to me, is when you're making great music: when people can just forget about what's going on.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway.
I can't ever remember being struck by lightning when making a big decision. It's always about taking in more and more data points and making tack adjustments as you figure it out. I call customers, suppliers, industry analysts and try to get as much information as possible.
I was always into pop music, Destiny's Child, songs with catchy music. Even when I was writing when I was younger, it wasn't all about expressing myself; it was just about making fun music.
Actually when I was wounded and recovering in Japan. I went to church there and I remember on the air base where their hospital was, I remember coming out of that church and feeling like I had been - at that point I just felt very, very close to God and that I'd done the right thing with my life. And I knew I wasn't going back to Vietnam. I just knew I wasn't going back.
I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.
I always knew I was going somewhere - going out. I just knew. I just knew. I just knew there were a lot more points of view out there.
I love making music and all that, but at the end of the day I don't think that's what people are going to remember about a person.
I always knew I would do music. At first, I wanted to play basketball, and when I let go of that dream when I was 11, I pretty much knew I was going to be in music.
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