A Quote by Phoebe Cary
Books were put out, and 'had a run,' / Like coinage from the mint; / But which could fill the place of one, / That one they wouldn't print?
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The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
HAPA was like mint. You could rip it up, and six months later, it was back, healthier than ever. Mint smelled better, though, and you could make juleps out of it. I don’t know what I could make out of HAPA. Compost, maybe.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
If I had two lives, in one life I could invite her to stay at my place, and in the second life I could kick her out. Then I could compare and see which had been the best thing to do. But we only live once. Life's so light. Like an outline we can't ever fill in or correct... make any better. It's frightening".
In 1986 we were trying to help women get in print, stay in print, and come to the attention of booksellers and libraries. At that time, books by men mystery writers were reviewed seven times as often as books by women.
It seemed to me that NASA, especially Goddard, was the place where I could carry out the dreams that I had, which were to push forward an experiment that would measure the big bang radiation better than anyone had ever tried before. Therefore, it seemed like the perfect place to go.
Ebooks have many advantages - publishers don't have to make guesses about how many books to print, books need never go "out of print", and hard-to-find books can be easily available. So far, the only limitation seems to be finding a way for the writer to be paid.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
The worst was I had little control in terms of smoothing out my questions and making myself look good the way I could in print. All the ums and uhs and rambling and apologies and hyenalike laughter at something that really isn't funny. You know when an artist will crack a joke, and you're like, "That's so hilarious," like, the fawning laughter that you can at least cut when it's print? It's just all out there, and it's really humiliating.
It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them - with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them.
You talk about rowdy - in Oakland the players were on you. The refs were on you. The stands were on you. You had to talk back or you were a sissy; you'd get run out of the league. Afterward? Yeah, it was kind of a, uh, struggle to get out of the gym. Cops had to be everywhere. Which was lucky.
I'm not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become 'large-print' books. I say, let them stay home and be regular small-print books.
New York is the place where they bind books and write blurbs and arrange the publicity and print the galleys... But Chicago is the place where the book is lived out before it is bound and the song is sung before it is recorded.
Yet simple souls, their faith it knows no stint:
Things least to be believed are most preferred.
All counterfeits, as from truth's sacred mint,
Are readily believed if once put down in print
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