A Quote by Phoebe Cates

Modeling teaches you to be completely conscious of the camera. Acting is being totally unconscious of it. — © Phoebe Cates
Modeling teaches you to be completely conscious of the camera. Acting is being totally unconscious of it.
That's the one thing that's funny about going from modeling to acting. In modeling, you're supposed to think about what you look like all the time. When you're in front of the camera, if you're not considering that, God knows what the pictures will look like. With acting, you have to completely forget it.
The thrill of acting is making a character real. Modeling is the opposite of real. It's being fake in front of the camera.
I remember the senior class play I was in. I was also in the musical, although I can't sing at all, but I wanted to be a part of it. Then I was modeling in Pittsburgh, so being in front of the camera was something I enjoyed and benefited from. I made money growing up by modeling locally.
When you're modeling you're actually acting for the camera and the photographer. It's more fun, too because there are no lines to memorize.
Under examination by the camera, a human body becomes for its inhabitant a field of betrayal more than a ground of communication, and the camera's further power is manifested as it documents the individual's self-conscious efforts to control the body each time it is conscious of the camera's attention to it.
I've wanted to do some sort of acting stuff down the line, but modeling is a good way to get comfortable in front of the camera.
Complexes are psychic contents which are outside the control of the conscious mind. They have been split off from consciousness and lead a separate existence in the unconscious, being at all times ready to hinder or to reinforce the conscious intentions.
You know, everyone says, 'Modeling and acting are so similar'... they say, 'It's so natural for models to become actresses because they use the camera.' I don't think of it in that way.
Everything about acting is a challenge. I'm self-conscious. You couldn't do anything to cause me to be more self-conscious than to stick a camera in my face and have 60 people standing behind it, waiting for me to perform.
Maybe there's some kind of modeling that can be tedious, like catalogue modeling, but there's a kind of modeling, with runways or working with Richard Avedon, that's not very far from acting. Besides the fact that you don't have a partner to react to, the body language is the same.
Acting isn't something you do. Instead of doing it, it occurs. If you're going to start with logic, you might as well give up. You can have conscious preparation, but you have unconscious results.
The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
Psychoanalysis pretends to investigate the Unconscious. The Unconscious by definition is what you are not conscious of. But the Analysts already know what's in it - they should, because they put it all in beforehand.
With modeling, you pose. You want to look your best all the time. With acting, you have to be aware of the camera, but the more you show your imperfections, the better you're going to be.
My father came to Hyderabad to become an actor, took an acting course, and realised he was camera conscious.
You know one of the things about going from modeling to acting is it's so much more fulfilling. With modeling, you get your picture taken, which is great, good for you, you know? But in acting, you're able to reach in and show a little bit more of yourself.
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