A Quote by Phoebe Dynevor
I think the context of the era was still really important for Daphne's character arc, so I wanted to get all of that right.
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As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
What I love about Bridgerton' though is that the women in it do have their own agency within the context of the time. In fact, Daphne is actually quite a feminist character because she's in control of her destiny.
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
I think that anybody who is going to be the standard-bearer, the spokesman for the progressive movement, in the context of a presidential race, has got to learn to master the language and really get their finger on the pulse of how people are feeling. I think that's really important.
Having been a theater person first, you have the whole character, and you see the arc of the character in a play. And then when you do a movie, you have the whole character - or, if it's a small role, there's not much arc, but you see what the whole part is.
I prefer working, period. I think that I like doing film more just because when you get a script, you have the story from start to finish, so you can really find the character's arc, and when you walk away from it, you know you're sort of powerless to what happens.
Furthermore, I think there was, in fact, a celebration of Passover in the era of the Judges in which the epic was recited in the context of the central sanctuary. That tradition was displaced by the Feast of Enthronement beginning in the Solomonic era.
I actually have a history of doing quite a few period dramas, but I think I really specifically wanted to do the Regency era, and to be able to do high-society Regency era is even more amazing.
There are a lot of differences between me and Daphne but I think she values family, which I also value, and at a time when women had only one option, she was as determined to make that happen as I am in my career I guess, and I think that was sort of my way into Daphne.
When you're in the moment and not over thinking the song is when things tend to really work. You're not so focused on the minutiae. You're focused on the overall feel, and that's the stuff that I get from the demos. First impressions are always the most important. When you start getting into a full-band, democratic context the little things almost immediately get thrown out the window because you don't think they're important.
So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.
I think character is very much a product of where you live, who you are, what is happening in that time of your life, and I'm interested in those pressures, those forces. A political context, a social context, really determines if not who people are then how they treat one another and what they say, how they speak.
I usually get up between 7 A.M. and 8 A.M., have coffee, and go right to work. It's really important not to get sidetracked in the morning so I'm still in that dreamy state for my writing.
If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
What's great in theater is that you can sustain the arc of a character for a full three hours, whereas in film or TV, you have to create that arc in little pieces, and usually out of sequence.
I think the arc of history is long, and it bends toward justice. And I think that's what the 'Star Wars' message is. You know, the dark side is in the human heart. And chaos is very troubling for an individual or for a culture, which can lead you to authoritarian leaders. But the arc of history is on the right side. I believe that.
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