A Quote by Phoebe Dynevor

I've always just wanted to work on interesting projects. — © Phoebe Dynevor
I've always just wanted to work on interesting projects.
In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects.
I always wanted my work to speak for itself, and have opportunities to do interesting work and not just puff pieces.
I think I've had a fairly meandering career. Because I did start so young, I think that I've always chosen my parts based on what's interesting to me and what I think would be challenging or fun, or someone I've always wanted to work with or a place I've always wanted to work in or a topic.
I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
I'm just trying to choose interesting, quirky projects or things with interesting directors or just movies that have a lot of people I like attached to them so I know I'm going to have a good time.
I've always wanted to work with Cameron Crowe. I've auditioned for him several times for various projects over the last ten years, and I've always admired the way he worked with me.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
I floated around in the department of biochemistry and learned some interesting things, and then I began to... I never wanted to work with a mentor because I always wanted to have my own reputation and be free to do what I wanted to do. So I worked with the weakest people in the department. Don't make that public.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it.
I just want to work with good filmmakers and do good projects that mean something to me and play interesting characters. That's really it.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I'm happy to work in the States because there are so many different and interesting projects. I'll go wherever people want me to work.
One of my idols is my dad. All his work in Motown, and just the way he conducted himself as a human being was always interesting to me, and it seemed like the successful way, and it is a successful way, and I always wanted to do that. He's funny, and all that stuff.
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