A Quote by Phoebe Dynevor

I'm obsessed with every single album from Jhene Aiko. — © Phoebe Dynevor
I'm obsessed with every single album from Jhene Aiko.
Jhene Aiko, I like Zara Larsson, I like working with female artists.
The only thing I can think of is my favorite album at the moment by this guy called Father John Misty, and the album is called I Love You, Honeybear. It's just brilliant. It's the album I'm currently obsessed with. It is original, and the lyrics are fantastic and [it's] brilliant. So that's blowing me away.
I feel like, every single decision I make and every single album I make, it's all about letting go. Letting go of the past and just getting on with it.
I don't just like fillers, and I never put a filler on a record. I mean, I want every song on every album that I do to be a potential single.
Every single note on this album is there for a reason.
I want to give up every single day of my life, but I can't. I'm obsessed.
Every single band in the world has these gigantic songs that people are obsessed with.
[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
I had been told by a number of people that if you get half of what you want on your first album, you're doing really well. Pretty much every single thing they had was something that I liked. There were maybe one or two songs I didn't like, and they were taken off the album quickly.
I don't want to put out a CD of album songs. I'm gunning for every song to be a single.
In every single job, in every single business, in every single profession - in whatever you do - there can be the satisfaction and the happiness that comes from knowing that what you do is important, that what you do makes a difference in the lives of the people you serve.
Apple, iTunes, and streaming services have made the single a more easy thing to access. What that's done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.
I mean, that's always my goal when I put an album together, is that every single song serves a purpose.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
I grew up the biggest fan of the Cure. Knew every lyric, had every album, B-side, single, poster, everything. Then cut to fifteen years later, and we're working on songs together. Ridiculous.
This site uses cookies to ensure you get the best experience. More info...
Got it!