A Quote by Phoebe Fox

I get told I have a 'period' face quite often. Maybe it's the pale skin but I get a lot of pre-Forties posh roles. — © Phoebe Fox
I get told I have a 'period' face quite often. Maybe it's the pale skin but I get a lot of pre-Forties posh roles.
I don't know why I get cast in a lot of period pieces. Stephen Fry told me that I had a face for period, that I look like someone from 1920.
More often than not, I get cast as quite Machiavellian roles - it's something about my face; I'm quite shifty or something!
I get told I'm too good-looking for a lot of roles. They don't write roles people would think I'm supposed to play as often as they used to - the rom-com pretty-boy storylines.
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
Like every actor, you get notorious for maybe one role and then get offered a lot of similar roles.
I look after my skin quite a lot because in this job, it can get stressful. Pimples come out! I cleanse and moisturize, sometimes do face masks. I've also got a Clarisonic, which is good.
Maybe the trying is the thing. Maybe it doesn't get better than that. Maybe you never quite get there. And maybe that's okay.
The first thing I do when I get up in the morning is wash my face with Olay Regenerist Thermal Mini-Peel Face Wash. My skin is super-dry, and this one is great for basically any skin type. As you cleanse your face, the face wash gets warmer, so it's soothing and also has some exfoliation to it.
It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
I have olive skin, so if I get pale, I look green. I have to tan.
So often, trans roles don't even go to trans actors. Most of the fabulous trans roles that have won people Oscars, we didn't get to play. A lot of folks have said we're not trained enough and that we're not prepared to do whatever.
The great thing about doing a play is you get this rehearsal period, which you don't get with most film and television roles.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
I think often in film we limit our imaginations a little - well, quite a lot, actually things get quite formulaic.
I think often in film we limit our imaginations a little - well, quite a lot, actually... things get quite formulaic.
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