A Quote by Phoebe Philo

I do like the idea of women not showing too much, of them being quite reserved in a way, and quite covered. — © Phoebe Philo
I do like the idea of women not showing too much, of them being quite reserved in a way, and quite covered.
Am I reserved? I think I agree with that. I don't think I'm particularly original. I am quite homey, though. But then I'm also quite transient. I quite like being nomadic.
I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
In the business I meet some beautiful women, but to be honest, 80 per cent of them are raving lunatics and are to be avoided. It's just insecurity; actors are generally quite insecure. I wouldn't date, or I've never had a fling with an actress, and I'd quite like to keep it that way.
My style as a human being is to indulge people who need to escape, yet I insist on confronting them as a playwright. It's quite embarrassing, it's quite unpleasant, it's quite awkward.
The 'everymum' persona is quite a comfortable coat to put on, and in a way it protects you. I don't think I'm being deceptive. I like the women I play, so I'm very happy to be identified with them.
I'm quite shy and quite reserved. But when things start heating up, I don't hesitate to show my character, whether that's in good moments, like when we won the World Cup, or more difficult moments.
My dad had a personal style which was very attractive. It was quite reserved and quite elegant, and it was infectious.
I am sent too many mainstream scripts in which the older woman is really quite grotesque. Sometimes you read a script and you feel quite sick that they have to caricature older women in such a negative way.
Writing is a way of living. It doesn't quite matter that there are too many books for the number of readers in the world to read them. It's a way of being alive, for the writer.
Writing is a way of living. It doesn't quite matter that there are too many books for the number of readers in the world to read them. It's a way of being alive for the writer.
Women I've known have always been quite strong and confident women. Sure, I've got some friends who aren't so overtly confident, or at least don't appear that way. But when you get to know them, they are very much so.
From playing cricket in a boys team I had to learn quite quickly how to handle them and I've always felt quite comfortable in that environment. Because I feel comfortable, I'd like to think they do too.
I don't think of myself as being troubled as a human being, but I guess I'm quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. I'm certainly not the quiet reflective type.
Science, or para-science, tells us that geraniums bloom better if they are spoken to. But a kind word every now and then is really quite enough. Too much attention, like too much feeding, and weeding and hoeing, inhibits and embarrasses them.
I spend a lot of time on college campuses, and I don't quite understand where the idea comes from that young women are not moving forward. In fact, statistically, if you look at the public opinion polls, young women are much more supportive of feminism and feminist issues than older women are.
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