A Quote by Phoebe Robinson
I'm a sucker for two things: Adam Lambert and songs that start out as emo as a sad episode of 'Felicity' and then drop. That. Beat.
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It's ignorant! The stereotype is guys that are weak and have failing relationships write about how sad they are. If you listen to our songs, not one of them has that tone. Emo is bullshit! If people want to take it for the literal sense of the word, then yes, we're an emotional band, we put a lot of thought into what we do. People always try to stereotype us, but we don't fit the emo stereotype.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.
It's a really common trap to want your life to live up to some standard that you believe in, and then you start to really examine those standards and realize they come not from experiences you've had, but things you've seen in movies, or feelings you've felt listening to pop songs, or ideas you've received from reading books. And not just happy things, but a lot of the time, sad things. It gets kind of depressing, when you see how movies and songs make these promises to us.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.
You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
Adam Lambert is one of my best friends. I've known him since he was an understudy in 'Wicked.' Such a doll.
I love writing with Adam Lambert. He's really funny and very fun, he's a great friend.
What we didn't realize then - and one of the many things Timothy Leary was wrong about - is that when you drop out, you inevitably also drop in.
Even though the hero of emo is Morrissey, the great song of emo is 'Love Will Tear Us Apart.' An emo soundtrack would introduce Joy Division's music to a whole new generation.
You have to have a plan. Everything has to be planned. For me, I start with the title of my album, before I even start with the songs. I write down different things that I want album to say, and then the songs come from the different words.
Even if my songs are a bit low-spirited, they make me happy. I become happy when I hear sad songs. When you sing about sad things in a beautiful way, the atmosphere turns upside down
I need someone to be like, 'I can beat Bert in a marathon.' And then my Mickey Mantle genes will kick in and I'll start going, 'No you can't. You can't beat me, because I'll beat myself.'
If Adam and Eve were not hunter-gatherers, then they were certainly gatherers. But, then, consumer desire, or self-embitterment, or the 'itch,' as Schopenhauer called it, appeared in the shape of the serpent. This capitalistic monster awakens in Adam and Eve the possibility that things could be better. Instantly, they are cast out of the garden and condemned to a life of toil, drudgery, and pain. Wants supplanted needs, and things have been going downhill ever since.
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