A Quote by Phoebe Robinson

I never really thought of comedy as a career. My goal was, when I moved to New York, I was going to write serious films. — © Phoebe Robinson
I never really thought of comedy as a career. My goal was, when I moved to New York, I was going to write serious films.
When I moved to New York, I didn't know how much improv and comedy would play into my life. I thought I was going to do theater and Broadway and stuff.
I never really considered acting as a career until I moved to New York.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
I moved to New York when I was 17 and I had no idea what I was doing. I really thought I was going to take that city by storm and it taught me a lot; it was like the school of life. For me, it was like a series of really hilarious experiences in New York with getting jobs and getting fired.
Moving to New York made all the difference in my creating this new series with Ellie Hatcher. I love Portland, and it's always going to be one of my favorite cities, but it was getting to the point where, after I'd moved to New York, I couldn't write as specifically about Portland any more.
The entire New York comedy scene has moved to L.A. - it's bled the New York comedy scene dry.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
I always thought I would move to New York after graduation, but, instead, I moved to Los Angeles. I realized I was more scared of that choice than I was of New York, and I thought, at 22, I should get it over with.
My agent in London says all New York films are wonderful if they're really New York films because they're like travelogues.
I'd moved to New York to pursue a career in theatre, and it's very practical how you do it - I just went to every open call going.
Hailey [as a character] was born when I left the courtroom and moved to New York for Cochran and Grace, my TV show with Johnnie Cochran. I moved with two boxes of clothes, a curling iron, and $300; I didn't know a soul in the city, so I would come home at night and I'd be all alone and just write. I missed the courtroom and [what led me to the courtroom] so much I wrote about it. After my fiancé Keith's murder, I had never thought I would have children - I thought that it was not God's plan for me to have a family.
When I moved to New York in my 20s, I didn't have an obnoxious ego, but it was huge! I'll thought, "I'll never die and I can do anything."
I never really thought comedy was a career option, just something I did for fun. Suddenly I realised I was getting paid which was a bonus. I studied for a diploma with the London College of Music, and teaching was something I thought I might do but comedy intervened.
I never pictured myself in California. I just thought I would be a character actress in New York on the stage. I never really had that stardom goal; I just wanted to be able to work as an actress and not as a waitress.
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
I thought I was going to be a serious screenwriter and produce serious films. It was going to be 'American Beauty' and very important work.
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