Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
It doesn't mean you can't discuss important things, but I would never do a joke about cancer, just because I don't think any joke is funny enough to justify upsetting someone who is going through that.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, don't laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if that's funny, then you laugh. If it's not, you don't laugh - or at very worst, you can leave quietly.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, dont laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if thats funny, then you laugh. If its not, you dont laugh - or at very worst, you can leave quietly.
Whatever the joke is has to be funny, and not coming from a mean-spirited place. I think some things are totally off limits. If someone's spouse died, or one of their children, I would never joke about that in a Roast situation. I don't have any aspirations towards writing any cancer jokes, and there's some stuff that I think is definitely taboo.
I take a lot of pride in managing to be funny without having a victim at the end of my joke. I laugh at a really dark joke as much as the next person, but my jokes, I feel, don't have to hurt anybody to be really funny.
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
Surprise makes a joke funny. I love it when someone tells me something I couldn't possibly have expected; you've been led along one path and - bang! - the joke comes out of nowhere.
Always warm up the audience with a joke....If you are not a particularly funny person, make sure that you inform them that it's a joke.
Whatever is funny is subversive, every joke is ultimately a custard pie... a dirty joke is a sort of mental rebellion.
Unlike singers, who can earn for years by singing one song, we artistes have to be on our toes all the time. If I write something funny or create a joke in the morning, there will be someone narrating my own joke to me the same evening.