A Quote by Phoebe Snow

The most common misconception about me is that I'm basically a jazz singer. — © Phoebe Snow
The most common misconception about me is that I'm basically a jazz singer.
I was very adamant about not being called a jazz singer, but now I've embraced it. The way I approach music is through jazz, so I'm a jazz singer.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I wouldn't really call myself a Jazz singer I think it's offending to real Jazz singers to call me a Jazz singer.
Truth of the matter is, jazz is American music. And that doesn't mean bebop. Jazz is really about improvising. All the music that's been created in America has been pretty much improvised... Whether it's hillbilly or rock n' roll for blues, it's basically jazz music... It's basically about another way of hearing what comes out of America.
The most common misconception people have had in the past is about my own control and calculation of my career.
There is a common misconception that when you're a singer working for a recording company you get to pick everything you're doing. Very few people have been accorded such a luxury.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
Jazz was always cool. That was what I liked about jazz - it was always cool. Now I see the cats that were basically cool getting kind of uncool. So that ruins what I feel about jazz.
That's what it is-it's jazz. It's just jazz. That's what the whole thing is about to me. It's about what's happening right now in this context. This conversation is jazz to a certain extent. It's improvisation. What appeals to me about music is the improvization. That's what I don't like about the media-they're not living it.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I've listened to Jazz since I was born and always knew I'd be a Jazz singer!
I think people have a misconception of me, period. My life has been a whirlwind sometimes, but it's different to what people think. I definitely feel like there's a misconception about me and who I am.
My mother is a singer, still performs today; she's a jazz singer.
It's not enough to just be a good singer. You have to know where your roots come from. If you sing jazz, you should know all about jazz. You should look into, as much as you possibly can, the history of it, so that you're and educated and well-informed performer.
To most jazz critics I was basically Kenny G.
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