A Quote by Phoebe Waller-Bridge

I really, really wanted to write about just female relationships with other females and things. — © Phoebe Waller-Bridge
I really, really wanted to write about just female relationships with other females and things.
And it's one more shitty thing to write about somebody, in between getting really, really, really upset at female Ghostbusters and Gamergate, and the things that really matter.
I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.
I get really excited every time there's a female character who is really strong because a lot of females in film are really soft.
Females want other females to be really strong, so there are a whole lot of scripts that are basically just male parts renamed as a girl.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
I'm really connected to people, and my relationships with people are paramount, so I write about relationships, particularly strong female ones. In my family, there were six girls born in five years. We were best friends. And my parents raised all of us as first-class citizens.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
Really, it hasn't changed for female comics; it's still hard for females to really enter the game.
The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.
I always support anyone who I think is dope, female-wise. Whereas a lot of females are scared of other females.
It was difficult, and yet I was very eager to do it. It was a really odd thing. I really wanted to do that story. I really wanted to write the death of Captain Kirk. I really wanted to do it in the movie.
I didn't want to be apologetic about my love story, and I think to be willing to write about love you have to be willing to sound foolish. I wanted to write about foolish and goofy love and different relationships. I wanted to write about interracial relationships in a way that does not pretend as if race does not exist.
When you write an album and you're writing about relationships, the stuff that I've been through in my relationships, 99 percent of it is really good, but it's that one percent that always inspires you to write a song.
It was just really, really tough getting anything when you were a female. Basically, I just took advantage of everything I could. But when people are going to flat out tell you they're not going to hire anyone that's female, there's not much you can do about it.
I didn't just write about boys and relationships like usual. I wrote about other things: rock 'n' roll, nostalgia, Hello Kitty.
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