A Quote by Phoebe Waller-Bridge
I just kind of like to feel myself into stuff by writing scenes and seeing what characters end up saying.
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My favorite thing to do is action-driven, emotionally-charged scenes. If it's not just two people talking in a room, but it's on the move and things are happening and it's chaotic, and emotion comes from the characters and from the action, and the fall-out ultimately changes the character relationships, that exactly the kind of stuff I like writing.
I feel kind of like a kid absorbing everything. I just like seeing people who are doing their thing, whether it's music, or a movement they're creating, or coming up with new technology. I really like seeing that there's new stuff happening. I find that the most inspiring thing.
One of my favorite scenes in Fellini is the ecclesiastical fashion show in Roma, and the end of 8 ½, when all the characters in the life of Guido, Marcello Mastroianni, get together and do this grand procession. That was on my mind, especially at the 45th anniversary, when all those characters in Valentino's life returned to Rome. I kept watching that and saying, if only we can arrange that grand procession at the end...and it kind of happened.
My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.
Different scenes call for different acting styles. The kinds of scenes I like most are the ones where you just bury yourself in there. So I wouldn't say that's the only way to be funny, but that's my favorite way to play stuff, to try to put myself in a situation where that kind of acting is necessary.
I'm writing out of desperation. I felt compelled to write to make sense of it to myself - so I don't end up saying peculiar things like 'I'm black and I'm proud.' I write so I don't end up as a set of slogans and clichés.
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
I like trying jokes and seeing the response, and if I end up doing it in my act, it won't be 140 characters. Twitter is helpful that way to me. It's like a message in a bottle. But a lot of times I think I tweet the stuff I would like to say to teenage me.
We really had the whole piece laid out in like a Word file, just from beginning to end. It was kind of more like your creative-writing class in school. You know, you have the outline and then you just kind of plug the stuff in the little map you've made.
Its funny because when I did feel like I came out and I just felt like I was being truthful to myself, (it was at) that point I became very successful. So you know, it took a true kind of facing that truth of myself and being honest, that was when the real kind of fame or whatever that kind of stuff happened for me.
I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.
I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.
I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.
The kinds of scenes I like most are the ones where you just bury yourself in there. So I wouldn't say that's the only way to be funny, but that's my favorite way to play stuff, to try to put myself in a situation where that kind of acting is necessary.
Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.
When I'm tired, I tell myself what the people are saying about me. In that second workout when I'm saying, 'Man, I don't want to do this.' I remind myself, 'They're saying you're old. They're saying you're 33. They're saying you can't do it this year.' I play games with myself off that stuff.
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