A Quote by Phylicia Rashad
If there are no films or plays of interest to me, I don't go. I know how to go to a museum or a library or pick up a good magazine or I can watch the sun set. I know how to live. There's a whole creation out there full of magic and wonder to be explored.
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Like when you go to a magic show and you know how they do the illusions. That's how I am when I watch any movies where they have people flying through the air.
In terms of what people see of me, I have become this girl who just loves to be photographed, doesn't know how to focus, doesn't know how to work on set, just loves the attention, knows how to go out at night, knows how to party.
Some people love magic for the right reasons: They love to experience wonder. They don't want to know how it works. In this day and age, we know how everything works. We can Google anything and the answer is never really far away. Magic is a break from that where you get to enjoy mystery. And then there's the people who watch the trick but don't want to enjoy it because they want to figure it out and they feel like I'm challenging their intelligence, which I'm not doing. Those people are hell-bent on not enjoying magic and probably not enjoying their lives either.
As I said there is nothing wrong with failing. Pick yourself up and try it again. You never are going to know how good you really are until you go out and face failure.
Do you know how to pick a lock?" "Not in the least, I'm afraid." "I often wonder what we go to school for," said Wimsey.
Learn something from marriage. Marriage represents the whole world in a miniature form: it teaches you many things. It is only the mediocre ones who learn nothing. Otherwise it will teach you that you don't know what love is, that you don't know how to relate, that you don't know how to communicate, that you don't know how to commune, that you don't know how to live with another. It is a mirror: it shows your face to you in all its different aspects. And it is all needed for your maturity. But a person who remains clinging to it forever remains immature. One has to go beyond it too.
With tennis, you can go pick up a racket, take a lesson, and understand how much talent and skill it takes to be as good as the top pros. Same with golf: pick up a club. But not many can go out and get in a race car and experience a drive at over 200 miles an hour.
I've gone far in the movie business, but no matter how far I go, every time I pick up the phone to call Tom Hanks or Robin Williams, I wonder if they'll call me back. And you know what? Sometimes they do, and sometimes they don't.
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
This is the kind of upbringing we had instead of sitting in front of a damn television set all day long and never answering to anybody else unless somebody spoke up from a television set. It's an altogether different way of living today that you wonder how it really affects the family? I know how it affects the family because I have my own son who has his children and also my daughter. It's one of those things. Everybody eats in their own way and off they go. You know? It's not family oriented anymore."
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
It's very hard for me to go to the movies because I know all the tricks, and I know everybody. I don't watch many at all. And the ones I do watch are generally much older films.
I often suggest that my students ask themselves the simple question: Do I know how to live? Do I know how to eat? How much to sleep? How to take care of my body? How to relate to other people? ... Life is the real teacher, and the curriculum is all set up. The question is: are there any students?
I'm no longer a child and I still want to be, to live with the pirates. Because I want to live forever in wonder. The difference between me as a child and me as an adult is this and only this: when I was a child, I longed to travel into, to live in wonder. Now, I know, as much as I can know anything, that to travel into wonder is to be wonder. So it matters little whether I travel by plane, by rowboat, or by book. Or, by dream. I do not see, for there is no I to see. That is what the pirates know. There is only seeing and, in order to go to see, one must be a pirate.
I love the fact that we've made a film that not only the whole family can go to and enjoy but, you know, it's actually having an effect. You know, Rey's character is a tough woman who your 6-year-old can pick up a lightsaber now and go for it.
Sometimes it's great when, you know, you're sitting down to watch a straightforward story, and you know how it's going to go, and you know how it's going to end. That's a fairy tale.
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