A Quote by Phyllis Diller

It's true Fang and I fight, but we've never gone to bed mad. Of course, one year we were up for three months. — © Phyllis Diller
It's true Fang and I fight, but we've never gone to bed mad. Of course, one year we were up for three months.
Never go to bed mad. Stay up and fight.
Tears were dripping onto my dress, but I wasn't making any sound. There was no sound to express thid kind of pain. I didn't want to move, didn't want to do anything. Fang was not waiting for me out in the living room. Tomorrow morning, when I woke up, Fang would still be gone.
When I look back at 2003, it was the best year I've ever had creatively: having 'Transatlanctism' and 'Give Up come' out in the course of six months. I'll never have another year like that.
I broke both legs, which is why I ended up lying in bed for three months. It was six months before I could walk on one leg.
One year Halloween came on October 24, three hours after midnight. At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months, and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands. And that was the October week when they grew up overnight, and were never so young any more.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
Max: "Fang! This is a huge break! Of course we should go check it out!" Fang: "But we're grounded." Max and Fang: (stare at each other for a second and burst out laughing)
I happened to be in a position in Superior where I could play three sports, and when I came to Minnesota, I had the understanding they would allow me to play three sports. Kids now don't have the same amount of time. You have coaches that think baseball is 10 months a year. Hockey is 11 or 12 months a year.
For the Fall of the year is more than three months bounded by an equinox and a solstice. It is a summing up without the finality of year's end.
Whenever Congress was in session, we were in Washington. So four months out of the year we were in Tennessee and the rest of the time in Arlington, which is where my mom grew up. Then, of course, in 1992 we moved into the vice president's house in D.C. I was 15 then.
Films are done in about three months, and television takes up about ten months out of the year working on the same project.
It's stimulating to teach a new course. To teach a course three times in a row is, I think, about the maximum for me. On the second year - you know, the saying is that first year you learn how to teach the course, the second year you do it right, and the third year you're coasting and you had better move on to something else.
He gives my hand a tight squeeze, but that desperation, that urgency between us is gone. No insecurities. Max and Fang. Fang and Max. No longer a question. We just are.
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Of course I’ve gone mad with power! Have you ever tried going mad without power? It’s boring and no one listens to you! — Russ Cargill
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