A Quote by Phyllis Logan

It's great playing a mature character. It adds something. — © Phyllis Logan
It's great playing a mature character. It adds something.
If somebody ever says something is a mature theme, it's bound to not be. I mean, you shouldn't fall for that. You can make it sound mature, but anything that's about being mature is pretty immature.
To go from playing a character that was so self-assured, so mature beyond her years, and so kick-ass and ruthless to someone who's quite normal is interesting.
Taking on an iconic character is difficult, sure, people associate different actors with a character that you're playing, but there's something in rehearsing and developing a new character.
I don't know that 'NCIS: Los Angeles' is a complete reinvention, but I'm playing one of the guys in charge this time. Before I'd be cast as a young impressionable character. I think part of that is just being more mature.
I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.
I'm amazed that I can sit down, put a guitar in my hands and start playing kind of free style, and it will be four hours later and it will feel like it's been five minutes. I think that adds depth to your being, when something in your life can do that for you. Everybody should try to find something in their life that can do that for them. People find really elaborate self-destructive ways of killing time on this planet. That's why they take drugs or drink, trying to alter their state of being. If you can find something that doesn't destroy you, but deepens your character, you're really lucky.
There's something so beautiful in playing a character that supports another character's success.
As a kid, I was playing a character, so the film was not on my shoulders. I did 11 films out of which three were appreciated and remembered. At that time no one was following my career, so it was easier. But now when you are a mature adult, it's a different experience.
My palate is simpler than it used to be. A young chef adds and adds and adds to the plate. As you get older, you start to take away.
It was great to do August Rush and have all the challenges of playing that character, especially the American accent for the first time and also playing the guitar and the conducting I had to do.
Tom [Cruise] is a great producer himself. He's got great sense of story. It's always great to have the perspective of the person who's playing the character in your film.
No person and no character is beyond redemption, ultimately. That's the great thing about playing a character that has kind of a dark side; there's room to explore the opposite.
I seek a diverse spectrum of roles. If I just was in a large-budget feature for a younger audience, then I want to find a smaller, more character-driven piece that might be for a more mature audience. Or if I'm playing a goofier character, then maybe I want to go play a serious, psychopathic character. But at the same time, it's usually a case-by-case basis where I'm judging the merit of a role by the script I'm given, and it usually has less to do with the larger framework and more to do with how the part personally appeals to me in that moment.
The thing I respond to the most is just great writing, interesting characters. I like to think that there is something fun about playing a character that has a lot of authority in her own life.
Pretty much anything William Shatner is in is great. He's great at playing that 'I'm the only one sane in the world' character.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
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