A Quote by Phyllis Logan

'Downton Abbey' about upper-class posh people: of course it is. — © Phyllis Logan
'Downton Abbey' about upper-class posh people: of course it is.
It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
People in L.A. think Im so posh. They think I live in Downton Abbey.
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
I think the first time I realised 'Downton Abbey' was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about 'Downton Abbey,' and then they recognised me.
I think the first time I realised Downton Abbey was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about Downton Abbey, and then they recognised me.
People in L.A. think I'm so posh. They think I live in 'Downton Abbey.'
I tried to get people at 'South Park' into 'Downton Abbey,' and it didn't work. I think they were like, 'Downton Abbey?' What?' And I kinda made a big plea in the writer's room, like, 'Guys, you should really watch it. It's good. It's addicting. My wife and I are obsessed with it.'
Americans should be ashamed of how aflutter they get about Downton Abbey - it's unpatriotic. I seem to remember we fought a revolution so as not to put up with this nonsense, where notions of station are so unforgiving that upper and lower echelons are practically different species.
I think the reason why people love 'Downton Abbey' is because all the characters are given the same weight. Some are nice, some are not, but it has nothing to do with class or oppressors versus the oppressed.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
If you're an English actor, and you're asked to do an episode - especially the Christmas episode - of 'Downton Abbey,' you can't turn it down. It's like, 'Of course!'
'Downton Abbey' didn't have the impact it had just because it was a good story about people. It was something about that period and that world that was fascinating to people on a level that wasn't just as an entertainment.
'Upstairs Downstairs' and 'Downton Abbey' appeal to people because they're about our history, they look so beautiful, are written by amazing writers and have high production values.
The upper class desire to remain so, the middle class wish to overthrow the upper class, and the lower class want a classless system.
'Downton Abbey' is a pageant, a cavalcade of a time when being born right is the first and most irrevocable career move, and in which an older order - whose passing 'Downton's' creator, Julian Fellowes, clearly mourns - is submerging in icy seas as surely as a grand and extravagant ocean liner.
My dad keeps joking about sneaking into my grandparents' house and switching out their HBO for PBS so they think I'm on 'Downton Abbey.'
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