A Quote by Phyllis Smith

It was only after I'd had some injuries that I basically retired from the performing side of show business and then began working in casting. I did that for 19 years or so before a friend of mine decided to cast me as Phyllis Lapin-Vance on 'The Office.'
I did years of summer stock. I sort of only wanted to be an actor. And then at 19, I was funny, and I had some of these bits that I did for friends, and I immediately could get on television.
A friend of mine back in 1989 did an illegal rave in Vauxhall. He got Keith Haring to come along and tag the side of the wall. My friend cut it out of the wall and he kept it under his bed for 20 years. Then a few years ago he asks me if I want to buy it... so I spent £12,000 on a Keith Haring.
What happened was, my parents after Circus Boy decided to take me out of show business for two years to go back to normal school. It was the smartest thing they ever did.
What happened was, my parents after 'Circus Boy' decided to take me out of show business for two years to go back to normal school. It was the smartest thing they ever did.
I spent some time studying Toyota, because how could a loom maker - they made looms. That was their business for 50 years, 35 years - and then they decided to go into the car business after everyone else was in the car business.
I say it was like this accidental research that I did for eight years. I had no idea I was researching the role of my career. But yeah, and there was this one casting director named Allison Jones, and for five years she would call me in every year for a different TV show and she just really was a big supporter of mine.
My mother became a casting director, and she cast me in a soap opera called 'One Life to Live.' I was, like, 8 years old, playing a kid who had hurt himself on a skateboard. I had, like, three lines. I did the lines, and everybody in the studio applauded - I was immediately hooked after that. I was like, 'This is the life for me.'
After I had been working as a cap maker for three years it began to dawn on me that we girls needed an organization. The men had organized already, and had gained some advantages, but the bosses had lost nothing, as they took it out on us.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
I was the youngest of four kids, and Dad, who had a garden centre before he retired, came from a large Lancashire family. Every one of my uncles had their own business, including a post office, two fish and chip shops and a painting and decorating business.
One of the first places I was ever recognized after 'The Office' came out was at Target in Los Angeles. Someone came up to me, and she said, 'Are you Phyllis from 'The Office?'' We were in different aisles, but she had recognized my voice.
I've been working at performing for five years now. I've been working in Australia and Spain and England. When I was only 15 or 16, 1 was performing in bars; I could have had legal problems, but it's also the only way to get to know what music is all about.
Musically, what happened was this: I retired twice. I retired after The Black Crowes, and I retired after Brand New Immortals. Then, we started buying real estate, which really took up my time. I was busy. I was still teaching yoga, but I was mostly busy running business, and I was fine. I was happy.
You're always in a tunnel that you can't see the end of. But there's something that took place on this movie that I don't think we expected and that was that once we decided that the entire cast would be real retired opera singers and retired musicians... and these people the phone hadn't rung for them for 20 or 40 years even though they can deliver.
The business being thus closed . . . dined together and took a cordial leave of each other After which I returned to my lodgings, did some business with and received the papers from the secretary of the Convention, and retired to meditate on the momentous work which had been executed.
I've had a couple of years where injuries have not let me develop in the way I wanted. When I was 21, after the European Championship, I had more injuries. Everything has been less continuous and it has cost me more progress. Continuity is what got me where I am.
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