A Quote by Phyllis Smith
I just wanted Sadness to be true, to come from a real place. I tried to work from the inside out, going from my gut all the time. I didn't over-analyze it. I just did it.
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I spent my twenties not really participating in the work force in any real way. I acted a tiny bit, but that was just because it was the only way I knew how to make money, and I sublet my apartment and lived in the woods and just tried to figure out who I was and what I wanted, what my real desire was and not just what I was used to doing, and it was a really confusing and painful, but really rich and amazing time.
I tried to work with a record label; I tried to work with a booking agency, variety shows. I went to Vegas. I just tried everything I could think of, and nothing took. No one thought there was a place for my style and my music; it was just too different.
Don't take too much advice. Most people who have a lot of advice to give ~ with a few exceptions ~ generalize whatever they did. Don't over-analyze everything. I myself have been guilty of over-thinking problems. Just build things and find out if they work.
There was a beautiful time in the beginning when I just did it and didn't analyze the consequences, but I think that time ends in everyone's work.
How often have I tried just hard enough so that I can then say to myself that I tried with the real purpose of assuaging my guilt about something I did not wish to succeed in the first place?
I tried to visualize my jealousy as a yellowy-brown cloud boiling around inside me, then going out through my nose like smoke and turning into a stone and falling down into the ground. That did work a little. But in my visualization a plant covered with poison berries would grow out of the stone, whether I wanted it to or not.
When I first went to rugby, I wanted it all; I just wanted it all, and you know, I thought it was just going to happen just like that, but I've come to learn that good things take time.
It is not true that if we had true faith we would not be sad. Prophets (as), and righteous people experienced a great deal of sadness. The Quran is full of stories in which the central theme is sadness. Sadness is a reality of life. The Quran is not there to eliminate sadness, but to navigate it. Sadness is one of the tests of life, just as happiness, and anger are tests.
I don't feel that no big stone should be put over my head, saying he did this, he did that. Unless there's something that I really did do. I believe I'm just ordinary. And I'd like for people to think of me that way, as just a guy that tried. Wanted to be loved by other people because he loved people.
Don't live worried, frustrated or upset because of what somebody did or what didn't work out. Come back to a place of peace. It's not going to work against you; it's going to work for you.
Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.
Academic Marxists were never going to be convinced that anything that happened in the real world could invalidate their belief system. Utopians of the Right, libertarians are just as convinced that their ideas have yet to be tried and that they would work beautifully if we could only just have a do-over of human history.
I was fuzzy on the details, but I knew the basic outline. I knew how I wanted to be, it was simply a question of being who I wanted to be.I thought I had had it all figured out before. I'd had the plan perfectly clear in my head. I wasn't going to cross into thirty without the triple crown in hand: serious boyfriend, career, and great friends..It was time to accept that maybe, just maybe, I didn't have to have it all figured out by the time I turned thirty. Maybe I could just work on me, and see what else fell into place.I was pretty sure that was otherwise known as living.
I talked to Katherine Johnson, and I tried to make it weighty by asking things like, "How as a Black woman did you do your work in NASA? They were misogynistic, and I'm sure you got called the n-word." She was just like, "Well, that was the way it was. I just did my job. I wanted to do my job." She was just so humble.
I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.
Before 'AEnima,' we were just following our gut. There was a lot of anger in the air and we never tried to control that. But just as we mature as humans, with 'AEnima' we tried to be fueled more by spiritual ideas or more of a conscious mode of aiming things in the right place or trying to take more responsibility for our art.
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