A Quote by Phyllis Smith

I did ballet, tap, jazz, modern, I taught dance here in my hometown of St. Louis. — © Phyllis Smith
I did ballet, tap, jazz, modern, I taught dance here in my hometown of St. Louis.
I love dancing, actually. My mother taught children's dance, ballet, tap, jazz...I'm very flexible.
I was really creative. I started to dance very young. I loved to dance. I begged my mother to put me into dance classes, and finally, in third grade, she did. Tap and jazz, but not ballet.
I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
I did ballet, tap and modern dance - I loved Janet Jackson with a passion - and I was good enough to star in lots of amateur shows.
We intend to pursue future gifts to exceed $8.1 million in conjunction with UMSL, Jazz St. Louis and the business community to ensure perpetual growth and a sustainable impact to the education of St. Louis children and beyond.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I'm the first one out on the dance floor. In college I had to take jazz, ballet and tap dancing, but, before that, it was just social.
Do I want to be in St. Louis forever? Of course. People from other teams want to play in St. Louis, and they're jealous that we're in St. Louis because the fans are unbelievable. So why would you want to leave a place like St. Louis to go somewhere else and make $3 million or $4 more million a year? It's not about the money.
I was serious about ballet for a long time, but my mom got me into tap and jazz and modern and hip-hop, and I was one of those over-lessoned children.
I took several years of dance lessons that included ballet, tap and jazz. They helped a great deal with body control, balance, a sense of rhythm, and timing.
What a perfect way to end the home stand, by hitting sixty-two for the city of St. Louis and all the fans. I truly wanted to do it here and I did. Thank you St. Louis.
I was used to dancing, but only when someone told you what to do. So in the nightclub I was all over the place, I combined everything. Street dance, modern dance, a bit of jazz and ballet, I was Twyla Tharp, I was Alvin Ailey, I was Michael Jackson. I didn't care, I was free.
Dance has been a driving force in my life for 25 years. From music videos and hip hop, to jazz and musical theater, to ballet and classic modern dance, I have had extensive exposure to a variety of techniques that inspire my own electric style.
I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.
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