A Quote by Pia Zadora
I'd become a cult figure to a certain extent because of my movies, but unfortunately it was because of how bad they were!
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To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.
I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.
Homeland Security was rejecting, is rejecting terms like Jihad. They don't want to use terms like Jihad or Sharia, because they feel that alienates the youth in terms of propagandizing. However, an imam can talk about the killing of gays. To fight a cult, which is, this is the cult, you have to use the terminology of the cult, because how else can you explain what the cult and its practices are?
I knew that there were black people in Africa, of course, unfortunately because of movies such as 'Tarzan.'
I try to follow certain rules. Nothing in Élysée Palace should become habitual, because routine lends one a deceptive feeling of security. You begin not noticing certain things and lose your focus on what's important. Uncertainty and change keep you attentive. This place and, to a certain extent, my office, help me avoid developing habits.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
I myself have always had that secret desire to become something completely different and enact revenge on certain things. So I do that through my movies. My desires become reality in the movie because it can't become real in real life.
It's logical when you become known to the industry with 'Dracula' and 'Frankenstein' that they typecast you and want you in their horror movies. That's how I got 'Blade,' of course, because they were fans.
I would say that Jesus Christ and his followers were a cult, Buddha and his followers were a cult and Mohammed and his followers were a cult. Every religion starts out as a cult and if it becomes 'box office', it is accepted.
We were film geeks. We devoured everything: really obscure art films, foreign films. We were the kind of guys that lived at the Cinematheque. But at the end of the day, your favorite movies are like everybody else's favorite movies. Because those are the movies that become a touch point where you can connect to other people.
It's hard to describe how bloody awful music was, how desperately bad it was, how our 1960s heroes had become boring and useless. Not only were they bad - they were badly dressed.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
It's important to remember that, in the 1930s, a lot of people in the West looked at communism as a pretty good idea. That was partly because they didn't know how bad things were on the communist side of the world, but it was also partly because things were bad in the West.
Some of my friends were gang-affiliated or gang-related, but that was just the way things were. I was lucky because football kept me busy and away from that bad path, to an extent.
There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
If studios don't get their money back, we don't have any movies. So it is important that films are successful, and I am fully supportive of that because I'm not just a director, I'm also not stupid. I've been in this business long enough and, to a certain extent, I'm a businessman; I know the importance of that.
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