A Quote by Pia Zadora

In a way, my past gives me a little credibility. Not that anybody cares what I did nineteen years ago, but I did have a career, and a legitimate one, before I met my husband.
Tradition does not mean a dead town; it does not mean that the living are dead but that the dead are alive. It means that it still matters what Penn did two hundred years ago or what Franklin did a hundred years ago; I never could feel in New York that it mattered what anybody did an hour ago.
Small people delight in what they call consistency-that is, it gives them immense pleasure to say that they believe now exactly as they did ten years ago. This simply amounts to a certificate that they have not grown-that they have not developed-and that they know just as little now as they ever did. The highest possible conception of consistency is to be true to the knowledge of today, without the slightest reference to what your opinion was years ago.
My first husband met me as a career woman, and the second did, too. I was lucky.
It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.
There are all these different areas of specialization. That's it. You have to be a specialist nowadays. There's no other way. I was an artist for a long time, but I was always into being a general practitioner. I did a little of this and a little of that. And nothing got me anywhere. You have to specialize. If you don't specialize, it takes you until you're about fifty years old before anybody notices that you're doing anything at all.
I went through a political shift when I was nineteen or twenty. I felt a certain way, and after the shift, I felt the opposite way. And never once did someone yelling at me or making me feel stupid do anything other than reinforce the convictions I had. What did get to me was people listening to me.
I did pose for 'Black and White' magazine, a prestigious, artistic publication, several years ago... I did this as a piece of art and make no apologies for the creative decisions I've made as an artist in my 20-year career.
I did a pilot for Judd Apatow when I was 20 years old, so 18 years ago. The same year that he did that pilot, he made another pilot called Freaks And Geeks.Judd felt bad for me because I was living in L.A. by myself. Not only did he put me in an episode of Freaks And Geeks, but he was like, "Hey, just come hang out. I'm on set, getting to know everybody." I started hanging with everybody, and they were all either my age or a little younger. Seth and I just got along really well - Jason Segel and I, too - and before you know it, it was a really strong, solid group of friends.
[Frank Sinatra] was an incredible artist, the best at what he did, but it never occurred to me to model my career after what he did. There was no one I modeled my career after because there was no one else who did what I did.
I did game shows, I did interview shows, I did talk shows, I did commercials, I did acting. But all of that was a million years ago.
My father said it himself in an interview many years ago: 'Husband and wife failed, but mother and father didn't.' I've got a life that really matters to me, and that's because of the way I was raised. My ethics are high because my parents did a great job.
I finished high school and studied at the University of Nebraska in the school of journalism, which really turned me onto journalism. I never finished, but the very little that I did learn in two-and-a-half-years prepared me for a career in legitimate journalism, which included WWE, AWA, WCW, and everything in-between.
At the beginning, I felt sort of reluctant about my music from my past. But in the last couple of years, I felt good about what I did in the past. The way I see my work, time passes from the time I performed or recorded a work. When I look at it now, 25 years or 30 years ago, if I see that it has value today, I will agree to release it.
I have just gone over my comet computations again, and it is humiliating to perceive how very little more I know than I did seven years ago when I first did this kind of work.
The first thing [in career and motherhood] is a great husband. That I found many years ago and I am lucky in that way.
As a matter of fact, I've been to Italy many times before I met my husband, which he can't even imagine that I could possibly know anything about Italian food. But, you know, Italian food's really basic, and there's so many different variations on it that what my husband did is he broke it down for me.
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