A Quote by Pico Iyer

Writing is, in the end, that oddest of anomalies: an intimate letter to a stranger. — © Pico Iyer
Writing is, in the end, that oddest of anomalies: an intimate letter to a stranger.
Writing should ... be as spontaneous and urgent as a letter to a lover, or a message to a friend who has just lost a parent ... and writing is, in the end, that oddest of anomalies: an intimate letter to a stranger
Pico Iyer describes his writing as "intimate letters to a stranger," and I think that is what the writing process is. It begins with a question, and then you follow this path of exploration.
Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
The frankest and freest product of the human mind and heart is a love letter; the writer gets his limitless freedom of statement and expression from his sense that no stranger is going to see what he is writing.
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.
The calligraphic letter is not entirely a letter, but something that sits between writing and music
If you are in doubt whether to write a letter or not, don't. And the advice applies to many doubts in life besides that of letter writing.
And here I am, instead of there. I'm sitting in this library, thousands of miles from my life, writing another letter I know I won't be able to send, no matter how hard I try and how much I want to. How did that boy making love behind that shed become this man writing this letter at this table?
This at least should be a rule through the letter-writing world: that no angry letter be posted till four-and-twenty hours will have elapsed since it was written.
When I'm really involved or getting towards the end of a novel, I can write for up to ten hours a day. At those times, it's as though I'm writing a letter to someone I'm desperately in love with.
I'm talking to you and it's basically a direct communication, whereas if I'm writing a letter to you and you read the letter, there are like 12 extra deconstruction and reconstruction steps in the communication.
Every book is, in an intimate sense, a circular-letter to the friends of him who writes it.
When I was writing this new bunch of songs, I was singing a lot lower, because they were more intimate in a way. I had to come up with a way to frame the music that was intimate.
A letter is never ill-timed; it never interrupts. Instead it waits for us to find the opportune minute, the quiet moment to savor the message. There is an element of timelessness about letter writing.
I found a scrap book that my mom had given to me, and inside was a letter that I wrote to myself at age 19. The letter included my goals and dreams for my life, and even then, I was writing about the management company that I built today.
The absurdity of public-choice theory is captured by Nobel Prize-winning economist Amartya Sen in the following little scenario: "Can you direct me to the railway station?" asks the stranger. "Certainly," says the local, pointing in the opposite direction, towards the post office, "and would you post this letter for me on your way?" "Certainly," says the stranger, resolving to open it to see if it contains anything worth stealing.
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