A Quote by Pico Iyer
I take very seriously the sense of our living these days in a global neighborhood. And the first sensible thing to do in such circumstances, as well as one of the most rewarding things, is to go and meet the neighbors, find out who they are, and what they think and feel. So travel for me is an act of discovery and of responsibility as well a grand adventure and a constant liberation.
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So travel for me is an act of discovery and of responsibility as well a grand adventure and a constant liberation.
There's definitely a sense of responsibility and it's something I take very seriously. It's an honor. There's pressure, but that's a good thing and something I feel very fortunate to have. I take great responsibility for it. Not every number gives you pressure. This number, the No. 3, means so much. It pushes me to be better, to go to the gym, to talk to my crew chief Gil Martin, and to be with the guys on the team every day. The number pushes me and that's a good thing.
It's an adventure. I mean I spent a lot of time in the Himalayas and over the years have come to know them very well. I would say most important is the first sense you have in a place like that, and that is the sense of being on an adventure.
In the Christian sense, love is not primarily an emotion but an act of the will. When Jesus tells us to love our neighbors, he is not telling us to love them in the sense of responding to them with a cozy emotional feeling. You can as well produce a cozy emotional feeling as you can a cough or sneeze. On the contrary, he is telling us to love our neighbors in the sense of being willing to work for their well-being even if it means sacrificing our well-being to that end.
I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.
You wouldn't want any creative process to lose its sense of fun and adventure, but that doesn't mean you can't take it seriously as well.
I think I feel more like you're an actor for hire and you take the jobs you want to take, obviously, and some pay well and some don't pay well at all but you go on a gut feeling and it's all a big adventure.
When it comes down to it, it’s pretty simple. Adventure is what you make it. And whether it’s the travel, the discovery or just the feeling of letting go, the only way we’ll ever find out is to get out there and do it. Enjoy the ride.
For all you know, the way I act could very well be an act. Or maybe it isn't. I could be the most dangerous, most vicious one of the bunch, because no one takes me seriously!
The thing that strikes me now when I think about the Wilderness of Childhood is the incredible degree of freedom my parents gave me to adventure there. A very grave, very significant shift in our idea of childhood has occurred since then. The Wilderness of Childhood is gone; the days of adventure are past. The land ruled by children, to which a kid might exile himself for at least some portion of every day from the neighboring kingdom of adulthood, has in large part been taken over, co-opted, colonized, and finally absorbed by the neighbors.
We were doing it under the most extraordinary circumstances, but the first out of the tent in the morning would be David Lean. He said to me on the very first day of shooting, Pete, this is the beginning of a great adventure.
"I think the most important thing is that in the last seven days we've just had the greatest adventure of our lifetimes."
"I'm inquisitive ... and I love a new challenge... and if I feel that we can do it better than it's been done by other people, we'll have a go."
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
I do not accept any absolute formulas for living. No preconceived code can see ahead to everything that can happen in a man's life. As we live, we grow and our beliefs change. They must change. So I think we should live with this constant discovery. We should be open to this adventure in heightened awareness of living. We should stake our whole existence on our willingness to explore and experience.
I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.
I feel that it's very important for young people to have a sense of history and do research and don't re-invent the wheel and don't think that you're the first martyr to discover social injustice but to take advantage of previous generations of activists and find out what they did and how they resolved things.
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