I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
Being Irish and a citizen of the world, has made me truly appreciate Irish culture, music and history. Whether you're first, second generation Irish or even with no connection to Ireland, you should visit in 2013 for a unique experience.
Both my parents worked at the Madam C.J. Walker Manufacturing Company, with my dad eventually being hired by another company called Summit Laboratories that made chemical hair straighteners.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
You know what's funny is, when I made 'Saw,' I got accused of being a fascist; when I made 'Insidious,' I got accused of being godless, and now I made the 'Conjuring' films, and I'm accused of being too much God.
What's funny is, when I made 'Saw,' I got accused of being a fascist, when I made 'Insidious,' I got accused of being godless, and now I made the 'Conjuring' films, and I'm accused of being too much God.
My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
I think when I was 12, I started reading Evelyn Waugh, and I loved Evelyn Waugh so much, and I thought: 'This is how the world really is. If I could be Evelyn Waugh, then I would be happy.'
I've come to realise that being on 'Strictly' is like being in another theatre company and performing a live production.
Films are a whole new world that I'm excited to explore. But being on stage is very close to my heart; it has given me a sense of belonging. I will always try to find a way to balance both.
We know of instances of stage plays being made into films. But I really think that all Tamil films can be staged; I'd like to take up K. Balachander's films and do that.
I don't feel I have to defend myself for being English or for being Irish, because, in a way, I don't feel either. And, in another way, of course, I'm both.
The widest thing in the universe is not space; it is the
potential capacity of the human heart. Being made in the image of God, it is
capable of almost unlimited extension in all directions. And one of the world's
greatest tragedies is that we allow our hearts to shrink until there is room in
them for little besides ourselves.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
When you are young, you think it's going to be solved by love. But it never is. Being close -- as close as you can get -- to another person only makes clear that impassable distance between you.' If being in love only made people more lonely, why would everyone want it so much?' Because of the illusion. You fall in love, it's intoxicating, and for a little while you feel like you've actually become one with the other person. Merged souls and so on. You think you'll never be lonely again.