A Quote by Pierce Pettis
Annie Lalley is one of the funniest and most likable personalities you'll ever see on stage --which makes the depth of her songwriting all the more striking
Related Quotes
There are a lot of times when Jessica Jones is alone in her house, and there's no dialogue. She's rough around the edges, so getting to spend that time with her and see her be vulnerable and process the weight of her world is what makes the character so likable.
There's this thing in Hollywood about the sympathetic character and likability. I've never understood that because the people I love most in my life are not likable all the time. My wife is not always likable. I'm certainly not always likable. My dad is not always likable. We're human beings.
The stage is like a magnifier of thoughts and emotion and vibration; that's what the stage is incredible for because it makes you live other lives. It makes you experience other emotions. It makes you feel more beautiful or more alone or more angry. It makes you feel much more, more, more.
A modeled form is less striking than one which is not. Modeling prevents shock and limits movement to the visual depth. Without modeling or chiaroscuro depth is limitless: movement can stretch to infinity.
Being the most striking manifestation of the art of metal structures by which our engineers have shown in Europe, it [the Eiffel Tower] is one of the most striking of our modern national genius.
Finnick:" Good to see you, Peeta." Peeta:" You be nice to her, Finnick. Or I might try and take her away from you." It could be a joke, if the tone wasn't so cold. Everything it conveys is wrong. The open distrust of Finnick, the implication that Peeta has his eye on Annie, that Annie could desert Finnick, that I do not even exist. Finnick:"Oh Peeta," says Finnick lightly. "Don't make me sorry I restarted your heart.
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
Every nursing mother, in the midst of her little dependent brood, has far more right to whine, sulk or scold, as temperament dictates, because beefsteak and coffee are not prepared for her and exactly to her taste, than any man ever had or ever can have during the present stage of human evolution.
I'm a pretty upbeat person. I think I sometimes get cast as these brooding types because I bring light and joy, which hopefully makes them more likable.
I never see Oti! I see her on the dance floor, I see her shortly at the after party but that's it. In the week she's doing her 'Strictly' zoom and I hardly ever see her.
It worries me a little bit the reach and power of TV. More people saw me in 'The Practice' than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both.
It worries me a little bit the reach and power of TV. More people saw me in The Practice than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both.
I probably wouldn't have pursued comedy further if my friends didn't tell me that my getting kicked off the stage was the funniest thing they'd ever seen.
I think Miley is so real and every stage you see her in is truly the stage of her life that she's in.
She never imagined a scenario in which her love was not returned with the same depth of feeling, for to her it was impossible to believe that a love of such magnitude could have stunned only her. The most elementary logic and justice indicated that somewhere in the city he was suffering the same delicious torment.
One of the best things I’ve read about that inexplicably, but endlessly, fascinating group of people, the so-called Serious Collectors of 78s. Petrusich burrows into not just their personalities but the hunger that unites and drives their obsessions. She writes elegantly, and makes you think, and most important manages to hang onto her skepticism in the midst of her own collecting quest.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer