A Quote by Piero Scaruffi

Most books are about aspects of human knowledge - Few people write books about human ignorance, despite the fact that there would be much more to write about — © Piero Scaruffi
Most books are about aspects of human knowledge - Few people write books about human ignorance, despite the fact that there would be much more to write about
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
I wish that the adults who are 'in power' cared more about what their children read. Books are incredibly powerful when we are young - the books I read as a child have stayed with me my entire life - and yet, the people who write about books, for the most part, completely ignore children's literature.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
In many respects most of the books I write deal with well-known people. I think of those books as more about me than about those people.
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.
You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.
People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.
Live life and write about life. Of the making of many books there is indeed no end, but there are more than enough books about books.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
With traditional school visits, I also get to speak with people who haven't read my books and talk about my writing process as well as the serious aspects I write about.
I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.
There are places and spaces for black writers to write about race as a central thing. It's important. We're still dealing with the remnants of slavery. We're still dealing with racism on a daily basis. For me, I choose to write books about black people where we are normal. I was raised to believe that I deserve to be in a room just like anybody else. I try to write books like that.
I do send out information about my books. Very few people buy the books that way, but I always feel that if they want to know more about the process, they can get the information from my books.
The novels I planned to write were never going to be funny books about Jews. They were going to be country house books. Only later on could I write what I knew I was best at writing about.
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