A Quote by Pierre Alechinsky

Too many modern painters set themselves satisfied with just a coincidence, the spot in its raw, meaningless form. — © Pierre Alechinsky
Too many modern painters set themselves satisfied with just a coincidence, the spot in its raw, meaningless form.
Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
There was just too much evidence, from too many witnesses, pointing too many fingers at Ryan and his colleague for either defense team to have been able to portray it as a coincidence or a witch hunt or anything short of widespread corruption. And that's why we see this verdict.
The new painters do not propose, any more than did their predecessors, to be geometers. But it may be said that geometry is to the plastic arts what grammar is to the art of the writer. Today, scholars no longer limit themselves to the three dimensions of Euclid. The painters have been lead quite naturally, one might say by intuition, to preoccupy themselves with the new possibilities of spatial measurement which, in the language of the modern studios, are designated by the term fourth dimension.
People are entirely too disbelieving of coincidence. They are far too ready to dismiss it and to build arcane structures of extremely rickety substance in order to avoid it. I, on the other hand, see coincidence everywhere as an inevitable consequence of the laws of probability, according to which having no unusual coincidence is far more unusual than any coincidence could possibly be.
When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.
There are many people who claim to be good cooks; just as there are many people who, after having repainted the garden gate take themselves to be painters.
It's a really neat and special coincidence, but it's nothing but a coincidence. This wasn't set up to give Matt that honor. It's just the way it worked out. It's a neat extra.
Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea.
Painters who do self-portraits are engaging in a form of narcissism. But it doesn't work like that in movies. A truly narcissistic person wouldn't go into filmmaking because it's just too tiring.
'Luther' is raw and brutal like 'Game Of Thrones,' but it's coincidence. If I'm drawn to anything, it would be the writing. Choosing a project is an organic process where I'm taken in by the character and storyline, not the genre, whether fantasy or gritty and raw.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
The complaint about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernize, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.
... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?
I find sometimes that if you do too many takes, it starts to become meaningless to me. It is hard to sustain it for me. I don't want to do too many.
Every form of anti-Semitism, every form of xenophobia plays on the fear of the unknown, and unfortunately there are all too many politicians who know how to manipulate that. The dumber people are, the more they feel the need for a broad set of shoulders they can lay their head against.
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