A Quote by Pierre Alechinsky
When I paint, I liberate monsters They are the manifestations of all the doubts, searches and groping for meaning and expression which all artists experience One does not choose the content, one submits to it.
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Artists need some kind of stimulating experience a lot of times, which crystallizes when you sing about it or paint it or sculpt it. You literally mold the experience the way you want. It's therapy.
Individuals have the right to pick and choose which expressions to condemn, which to praise and which to say nothing about. Governments, however, must remain neutral as to the content of expression. And governments must protect the rights of all to express even the most despicable of views.
Sometimes I seem to be two people. One who does not paint and one who does. The one who does not paint assumes that the one who does can paint anything. The one who is the painter sometimes finds it difficult to live up to that faith.
The art I like concentrates on the body. I don't have a feel for Poussin, but for Courbet, Velásquez - artists who get to the flesh. Visceral artists - Bacon, Freud. And de Kooning, of course. He's really my man. He doesn't depict anything, yet it's more than representation, it's about the meaning of existence and pushing the medium of paint.
It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience.
The man who submits to violence is debased by his compliance; but when he submits to that right of authority which he acknowledges in a fellow creature, he rises in some measure above the person who give the command.
Western countries allow no freedom of expression, which they claim to advocate, with regard to the myth of the massacre of Jews known as the holocaust, and nobody in the West enjoys the freedom of expression to deny it or raise doubts about it.
I am not out to liberate anybody. You have to liberate yourself, and you are unable to do that. What I have to say will not do it. I am only interested in describing this state, in clearing away the occultation and mystification in which those people in the 'holy business' have shrouded the whole thing. Maybe I can convince you not to waste a lot of time and energy, looking for a state which does not exist except in your imagination.
If you have a belief and you come against an experience which the belief says is not possible, or, the experience is such that you have to drop the belief, what are you going to choose — the belief or the experience? The tendency of the mind is to choose the belief, to forget about the experience. That’s how you have been missing many opportunities when God has knocked at your door.
Sundry manifestations of nature in men and women, are greatly perverted by existing social conventions upheld by both. There are feelings which, under our predatory régime, with its adapted standard of propriety, it is not considered manly to show; but which, contrariwise, are considered admirable in women. Hence repressed manifestations in the one case, and exaggerated manifestations in the other; leading to mistaken estimates.
The language of images [of inner-oriented artists] does not follow a code structure that is evident and widely accepted, but is more likely to be a complex of symbols that have a profound meaning for the artists themselves.
In those who rest on their unshakable faith, pharisaism and fanaticism are the unmistakable symptoms of doubt which has been repressed. Doubt is not overcome by repression but by courage. Courage does not deny that there is doubt, but it takes the doubt into itself as an expression of its own finitude and affirms the content of an ultimate concern. Courage does not need the safety of an unquestionable conviction. It includes the risk without which no creative life is possible.
Love is the essential reality and our purpose on earth. To be consciously aware of it, to experience love in ourselves and others, is the meaning of life. Meaning does not lie in things. Meaning lies in us.
That which is destroying the Church is not the outward groping of those within it nor the inward groping of those without, but the professionals who control it and who have removed the bells from its steeples.
I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.
Every word is an adamantine shell which encloses a great explosive force. To discover its meaning you must let it burst inside you like a bomb and in this way liberate the soul which it imprisons.
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