A Quote by Pierre-Auguste Renoir

You don't talk about paintings, you look at them. — © Pierre-Auguste Renoir
You don't talk about paintings, you look at them.
All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.
I look at my paintings for a very long time before letting them out of my studio. I like to get on the treadmill and look around at all of my paintings while I exercise. I try to stare them down to make them reveal their weaknesses. If they reveal weaknesses, they get repainted.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
Modern paintings often seem to have been made quickly, by comparison with the paintings of earlier centuries, and that seems to give us the license to look at them quickly - to consume them and move on.
Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
Look about you. Take hold of the things that are here. Let them talk to you. You learn to talk to them.
The paintings usually start as abstracts and then I look at them and look at them, and like a Rorschach test, I try and see what it is.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get back.
When you talk about painters and you talk about painters painting masterpieces, there is no painter who painted only one painting and that was a masterpiece. You have to do a whole bunch of paintings to get to the place of mastering your craft.
I wanted to actually make people look at a painting. We don't look at paintings that much. We glance at them.
It's absurd to talk about paintings that you haven't finished.
My paintings are about light, about the way things look in their environment and especially about how things look painted. Form, colour and space are at the whim of reality, their discovery and organization is the assignment of the realist painter.
I make paintings, try to get others to look at them and hopefully buy them.
I talk to my readers on social networking sites, but I never tell them what the book is about. Writing is lonely, so from time to time I talk to them on the Internet. It's like chatting at a bar without leaving your office. I talk with them about a lot of things other than my books.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
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