A Quote by Pierre-Auguste Renoir
The only reward one should offer an artist is to buy his work.
Related Quotes
Under no circumstances must we touch land belonging to fellahs or worked by them. Only if a fellah leaves his place of settlement, should we offer to buy his land, at an appropriate price.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
I like to receive money for my work. But I can pass that up this time. I like to have people know my work is done by me. But I can pass that up. I like to have tenants made happy by my work. But that doesn't matter too much. The only thing that matters, my goal, my reward, my beginning, my end is the work itself. My work done my way. Peter, there's nothing in the world that you can offer me, except this. Offer me this and you can have anything I've got to give. My work done my way. A private, personal, selfish, egotistical motivation. That's the only way I function. That's all I am.
The painter who is content with the praise of the world for what does not satisfy himself, is not an artist, but an artisan; for though his reward be only praise, his pay is that of a mechanic.
Chivalry is not dead and you should be a gentleman. But if you are going to buy a girl a drink, buy it. Don't just offer it. Follow through.
Work and thou canst escape the reward; whether the work be fine or course, planting corn or writing epics, so only it be honest work, done to thine own approbation, it shall earn a reward to the senses as well as to the thought.
One might think that the money value of an invention constitutes its reward to the man who loves his work. But... I continue to find my greatest pleasure, and so my reward, in the work that precedes what the world calls success.
It is only in his work that an artist can find reality and satisfaction, for the actual world is less intense than the world of his invention and consequently his life, without recourse to violent disorder, does not seem very substantial. The right condition for him is that in which his work in not only convenient but unavoidable.
The artist of the future will live the ordinary life of a human being, earning his living by some kind of labour. He will strive to give the fruit of that supreme spiritual force which passes through him to the greatest number of people, because this conveying of the feelings that have been born in him to the greatest number of people is his joy and his reward. The artist of the future will not even understand how it is possible for an artist, whose joy consists in the widest dissemination of his works, to give these works only in exchange for a certain payment.
"You can buy a person's hand, but you can't buy their heart. His heart is where his enthusiasm, his loyalty is. You can buy his back, but you can't buy his brain. That's where his creativity is, his ingenuity, his his resourcefulness."
Mary is God's masterpiece. Have you ever walked into a museum where an artist was displaying his work? Can you imagine him being offended if you were viewing what he considered to be his masterpiece? Would he resent your looking at that instead of at him? 'Hey, you should be looking at me!' Rather, the artist would receive honor because of the attention you were giving his work. And Mary is God's work, from beginning to end.
Hell is the highest reward that the devil can offer you for being a servant of his.
To express himself well, the artist should be hidden. The trouble is that if an artist knows he has genius, he's done for. The only salvation is to work like a labourer, and not have delusions of grandeur.
While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first personality, which no one should copy.
The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of thought; and, indifferent to aught else, care nothing for praise or censure, failure or success.
To the young I should offer two maxims: Don't accept superficial solutions of difficult problems. It is better to do a little good than much harm. I should not offer anything more specific; every young person should decide on his or her own credo.
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