A Quote by Pierre-Auguste Renoir

What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story.
It's okay to send flowers, but don't let the flowers do all the talking. Flowers have a limited vocabulary. About the best flowers can say is that you remembered. But your words tell the rest.
In Sarvamangalam,' I am fond of flowers and I want to own a nursery. My character talks only to flowers. If she is sad she will go and talk to flowers. It is not a comedy film, it is a nice subject.
I hate getting flowers. I can't stand when I get a bouquet of flowers, because I have to stop what I do, cut the flowers, put them in a vase - if you're going to bring flowers, bring them in a vase already!
The flowers, the gorgeous, mystic multi-coloured flowers are not the flowers of life, but people, yes people are the true flowers of life, and it has been a most precious pleasure to have temporarily strolled in your garden.
For the flowers are great blessings. For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily. For the flowers have great virtues for all senses. For the flower glorifies God and the root parries the adversary. For the flowers have their angels even the words of God's creation. For there is a language of flowers. For there is a sound reasoning upon all flowers. For flowers are peculiarly the poetry of Christ.
In the autumn I gathered all my sorrows and buried them in my garden. And when April returned and spring came to wed the earth, there grew in my garden beautiful flowers unlike all other flowers. And my neighbors came to behold them, and they all said to me, "When autumn comes again, at seeding time, will you not give us of the seeds of these flowers that we may have them in our gardens?"
Your poems are rather hard to understand, whereas your paintings are so easy. Easy? Of course - you paint flowers and girls and sunsets; things that everybody understands. I never met him. Who? Everybody. Did you ever hear of nonrepresentational painting? I am. Pardon me? I am a painter, and painting is nonrepresentational. Not all painting. No: housepainting is representational. And what does a housepainter represent? Ten dollars an hour. In other words, you don't want to be serious - It takes two to be serious.
If only we know, boss, what the stones and rain and flowers say. Maybe they call-call us-and we don't hear them. When will people's ears open, boss? When shall we have our eyes open to see? When shall we open our arms to embrace everything-stones, rain, flowers, and people? What do you think about that, boss? And what do your books have to say about that?
Everyone had always told me I had to see alpine flowers, since I was writing about flowers, and I had never seen these. So I happened to be teaching a class at the University of Colorado, and I got to go for hikes that took me there. But my perspective was most often down at ground level, trying to see quite tiny exquisite flowers.
Brave old-flowers! Wall-flowers, Gilly flowers, Stocks! For even as the field-flowers, from which a trifle, a ray of beauty, a drop of perfume, divides them, they have charming names, the softest in the language; and each of them, like tiny, art-less ex-votos, or like medals bestowed by the gratitude of men, proudly bears three or four.
For example, in one of my last exhibitions I had a 50-foot massive painting with I think perhaps a hundred thousand hand-painted small flowers. This was the Christ painting [The Dead Christ in the Tomb, 2008] in my Down exhibition [2008]. Now, I simply can't spend eight hours a day painting small, identical flowers. And so I've got a team that allows me to have these grand, sweeping statements.
All that stuff about flatness - it's this idea that painting is a specialized discipline and that modernist painting increasingly refers to painting and is refining the laws of painting. But who cares about painting? What we care about is that the planet is heating up, species are disappearing, there's war, and there are beautiful girls here in Brooklyn on the avenue and there's food and flowers.
It's like growing lotus flowers. You cannot grow lotus flowers on marble. You have to grow them on the mud. Without mud you cannot have lotus flowers. Without suffering, you have no way to learn how to be understanding and compassionate.
If you come to Plum Village in the summertime, you see many lotus flowers. Without the mud the lotus flowers cannot grow. You cannot separate lotus flowers from the mud. It is the same with understanding and love. These are two kinds of flowers that grow on the ground of suffering
If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.
There is a lot of difference between offering a garland of flowers bought from a shop and one that we make out of flowers picked from our home garden. When we plant the flowers, water them, pick the flowers, make the garland and take it to the temple, thoughts of God alone live in our minds. The Lord accepts anything offered to Him with intense Love. When we buy a garland at a store and place it on the deity it is only a ceremonial act while the other is a garland of pure devotion and an act of love.
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