A Quote by Pierre-Auguste Renoir
What I like so much about Corot is that he can say everything with a bit of tree; and it was Corot himself that I found [back] in the museum of Naples - in the simplicity of the work of Pompeii and the Egyptians. These priestesses in their silver-grey tunics are just like Corot's nymphs.
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To mention only contemporaries, Delacroix, Corot, Millet, Rousseau, Courbet are masters. And finally [I like] all those [painters] who loved and had a strong feeling for nature.
In his lifetime the great French impressionist painter Corot painted 2000 canvases. Of that number, 3000 are in the United States.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
There is also an insulting speech about 'one grey day just like another'. You might as well talk about one green tree like another.
I think when people think of Pompeii, they think it was just destroyed by the volcano. Yes, it was the eruption of the volcano that eventually caused the pyroclastic surge that swept over Pompeii and destroyed it for good. But also, they had to face the effects of a very extreme earthquake and a tidal wave that swept in from the Bay of Naples.
Put a compass to paper and trace a circle. Then tell me which other country has such a concentration of places like Amalfi, Naples, Ischia, Procida, Sorrento, Positano, Pompeii, and Capri.
I found myself Tivoing because I was working so much last season [of Heroes], I Tivoed all of the episodes so I could come back and watch them back to back to back and I found myself like I could not put my remote down. I was like, "Just one more episode, please."
I have no animus toward digital, though I still pretty much take everything on a silver-based negative, either a wet plate or just regular silver 8x10. But I've started messing a little bit with scanning the negative and then reworking it just slightly.
I went to UMass-Amherst and was like, 'I want to work in news, I want to be a journalist.' Then I got there and was like, 'what kind of crap is this?' They inflate everything. It will be like snowing outside, like just a little bit, and they are like 'Giant storm coming, batten down the hatches!' and I just didn't like that aspect of it.
The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
When I write I like to just say everything that people think about but never express vocally. I just get deep into it; I'm a bit obsessive about music.
It's like the time capsule with everything in it. Or like the seed that when you plant it, becomes the enormous tree with leaves and fruit. Everybody was in that little seed, and so everything can open. The tree of dance is like that. It just takes a long, long time to blossom.
I think I like 'em better like that...divinely dull...just the quiet bearers of their own beauty, like the priestesses in a Panathenaic procession.
You know, out-of-touch liberals like Barack Obama say they want a strong economy, but in everything they do, they show they don't like business very much. But the economy, of course, is simply the product of all the businesses of the nation added together. So it's a bit like saying you like an omelet, but you don't like eggs.
For some reason, when I think feminism, I think, like, 'Well, you can't include men if you're talking about feminism and being a feminist,' so I get a little bit muddled. I find it to be a bit grey. Then if you say you are not a feminist, that means that you're not pro-woman!
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