A Quote by Pierre-Auguste Renoir
On the whole, the modern palette is the same as the one used by the artists of Pompeii... I mean it has not been enriched. The ancients used earths, ochres, and ivory-black - you can do anything with that palette.
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At one side of the palette there is white, at the other black; and neither is ever used neat.
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
My fingertips are my favorite makeup brush! I especially like to apply my eye shadow with them, get it nice and smudgy. All my favorite makeup artists used their fingers to apply and their hand as a palette.
Black is always elegant. It is the most complete colour in the whole world, made of all the colours in the palette.
As long as you work in a color palette and you style what you already have within that color palette, it's going to look good together.
I need boundaries. In the modern studio there are a bunch of instruments around me, and I can simulate anything I can't play, so sometimes the palette feels too big.
Anything that exists on the human palette is, from my point of view, fair game for artists to portray. You don't have to go see it if you don't want to, so don't go.
I knew a bit about the capabilities of HTML5 and have always had a preoccupation with technology. I wanted to delve deeper, to see what else it could do. The technology becomes the palette that you make the artwork with, your palette and your paint.
I usually build my collections on colors and on staples, so when you buy pieces, you are really adding to your wardrobe, and you're getting a new color palette to play with. The clothes are timeless and modern at the same time.
Food should flirt with the palette. If the food doesn't flirt with your palette, then it's not fun enough.
I’m “exceptional”- a democratic term used to avoid the damning labels of “gifted” and “deprived” (which used to mean “bright” and “retarded”) and as soon as “exceptional” begins to mean anything to anyone they’ll change it. The idea seems to be: use an expression as long as it doesn’t mean anything to anybody. “Exceptional” refers to both ends of the spectrum, so all my life I’ve been exceptional.
I've built my wardrobe color palette around red, so I'm happy with it, but I do get pangs when I see beautiful brunettes. I've already been blue, green, black, and blonde.
I always tell the younger filmmakers and students: Do it like the painters used to...Study they old masters. Enrich your palette. Expand the canvas. There's always so much more to learn.
I used the stormy gray and heather brown shadows from the Lilac Rose Eye Palette to create a soft smokey eye for Veronica Beard's Spring 2013 show. The look was dramatic but delicate.
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