A Quote by Pierre Beaumarchais
These days what's not worth saying gets set to music.
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Life is like that, full of words that are not worth saying or that were worth saying once but not any more, each word that we utter will take up the space of another more deserving word, not deserving in its own right, but because of the possible consequences of saying it.
The fundamental message of the Wu Tang music is as vast as the ocean in all reality, but it's still a straight path. You can take one lyric and by researching what that lyric is giving out to you, it should give you more than a day's worth of school, maybe three days' worth of school.
Chicago's known for the drill. Keefs, Lil Durks, and whatnot. My music, on the other hand, it has a message to it. I think that's what sets me apart. I think it gets deeper than saying anything on a trap beat. I'm putting stories together, and people are relating to what I am saying.
Sometimes you get the cynical person saying, 'Do we really need another book set in Nazi Germany?' But I think you just have to ask, 'Is this a story worth telling?'
I do feel like I'm in this lucky position where I can write something and people will read it, and I feel like I should say something that's probably worth saying... I feel like it's something worth saying, and one more person saying it is better.
When I make my music, I try and speak to me. I try to go back and hear it, so my music gets me through the times, you know what I'm saying?
There are days when I don't feel motivated and I don't want to get up to go to practice. I'm a very goal-oriented person, so I set short-term goals and try to reach those goals. And when I have those days, I think about those goals, and it gets me motivated.
Mr. Market is kind of a drunken psycho. Some days he gets very enthused, some days he gets very depressed. And when he get really enthused you sell to him, and if he gets depressed, you buy from him. There's no moral taint attached to that.
But if the cow is purple, you'd notice it, OK? The thing that's going to decide what gets talked about, what gets done, what gets changed, what gets purchased, what gets built is, is it remarkable? And remarkable's a really cool word 'cause we think it just means neat, but it also means worth making a remark about, and that is the essence of where idea diffusion is going.
I do think that the days of gathering around a television set that functions merely as a television set, to receive a live broadcast of some networked programming, those days are probably numbered.
When you write a play, you make a set of assumptions -- that you have something to say, that you know how to say it, that its worth saying, and that maybe someone will come along for the ride.
Set aside a certain number of days, during which you shall be content with the scantiest and cheapest fare, with course and rough dress, saying to yourself the while: " Is this the condition that I feared?"
I can't stand directors who try to micro-manage everything. When it happens these days I just walk off set, saying if they don't like the way I'm doing it they can get someone else.
If a thing is worth doing, it is worth doing well. If it is worth having, it is worth waiting for. If it is worth attaining, it is worth fighting for. If it is worth experiencing, it is worth putting aside time for.
The translator has to be a good writer. The translator has to hear music too. And it might not be exactly your music because the translator needs to translate the music. And so, that is what you are hoping for: a translator who gets what you are doing but who also gets all the ways in which it won't work in the new language.
I'm trying to keep my days very efficient, and I keep my set really tight. Every single corner is active, and everybody gets to thrive in the job that they do. I don't waste people's time.
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