A Quote by Pierre Berge

On my own account I certainly wouldn't have become the director of a couture house. I didn't have sufficient admiration for fashion as such to have done so. — © Pierre Berge
On my own account I certainly wouldn't have become the director of a couture house. I didn't have sufficient admiration for fashion as such to have done so.
I don't have anything against homes for the elderly, but my mom, after having nine children, after all the sacrifices, living in an apartment - it gave me anxiety. Being the only male in the family, I said, "No I can't let this happen." Therefore I signed, because I wanted to buy a house for my mom. I started at Givenchy and the whole fashion world was saying, "Couture is finished." No, couture is not finished. Couture has changed - thank goodness.
The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.
I'm constantly correcting young people and fashion students in this nation when they say "Well, I do couture." By definition, you don't. You have to be licensed by the government of France to do couture. So don't use that term. You can say that you do one-of-a-kind, you can say it's custom, but you can't say it's couture - because it's inaccurate.
For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.
It's couture. Everything has to be done by hand. That is most important. That is the crucial element. Without it, that is not couture anymore.
Dior Couture is like art - they are the art pieces of a fashion house. Each piece is unique and made by hand.
When I was 18, my mum gave me all the clothes she'd had made at the famous haute couture fashion label, House of Worth, in Paris. Of course, I eventually trashed them all.
'Mad Fashion' follows the everyday workings of me and my workshop, where we make fashion, costumes, props, and couture!
These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.
We imagine that the admiration of the works of celebrated men has become common, because the admiration of their names has become so.
Make account that thou hast done nothing, and then thou hast done all. For if, being sinners, when we account ourselves to be what we are, we become righteous, as indeed the Publican did; how much more, when being righteous we account ourselves to be sinners.
It really is the very top of the fashion world; nothing comes above haute couture. But not any old designer can create something magical and call it haute couture; the term is strictly protected for a very special few.
It might shock you, but I haven't been to that many fashion shows, and I'd never done a commissioned piece for a fashion house.
L.A. fashion is like lip injections. That confuses me. That's become not just a thing. It's become fashion, part of your outfit. But hey, to each his own.
I want to give haute couture a kind of wink, a sense of humour - to introduce the whole sense of freedom one sees in the street into high fashion; to give couture the same provocative and arrogant look as punk - but, of course, with luxury and dignity and style.
Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.
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