A Quote by Pierre Berge

The problem with Yves Saint Laurent was that he was a man who understood his time period better than anyone, but he didn't like it. Real artists live their own lives in parallel. It's the artist who transforms his times.
I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.
I am a man who has spent more than half a century ostensibly and visibly accompanying Yves Saint Laurent throughout his life - but not only that. In the past and still today, I have been behind a lot of creators and artists, supporting them and helping them. That's probably how I see my mission.
Monsier Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
Monsieur Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
It was Yves Saint Laurent who realised the high-end design houses could make a lot more money if they sold more accessible clothing than the usual couture, when he opened his pret-a-porter store, Rive Gauche, in 1966.
I never abandoned Yves Saint Laurent. I used to have lunch with him twice a week. I also saw him every Saturday. My presence beside him was even more important in his bad times. But that didn't leave me a great deal of room in which to maneuver. Freedom is an intellectual space. But I don't use it.
Yves Saint Laurent was my first fashion show. I wore his tuxedo. And Helmut Newton was my first photographer, in 1973. I was really very lucky. I had an amazing career.
Yves Saint Laurent was the first person who made me feel like a woman.
I like Chanel and Yves Saint Laurent. I have some great Balenciaga jackets and I'm shoe crazy.
What I like about Yves Saint Laurent Black Opium is that it's an understated scent that's somehow familiar.
For me, Yves Saint Laurent is a hero because he fought his whole life against illness. Maybe the only way to fight this illness for him was to make it positive with creation. Otherwise he would have been lonely or in the hospital. He had so many issues with alcohol, drugs, and everything, this explains a lot about his necessity to create.
Yves Saint Laurent mascara is the best I've ever tried.
Yves Saint Laurent hated fashion. He loved style.
I love designers like Lanvin, Yves Saint Laurent and Karl Lagerfeld, but I also like the preppy look championed by Tommy Hilfiger.
My earliest influences were Coco Chanel and Yves Saint Laurent.
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