A Quote by Pierre Berge
Let's talk about that for a moment, about the couple that Yves Saint Laurent and I were. Like all couples we went through "storms," as the Jacques Brel song says. But if there's one area where we never had the slightest disagreement, it was art. Never. Not once. Not about painting, not about opera, not about theater. We were always in complete communion. Of course, that's how all of the collection came into being.
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I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.
How did the Turks become Muslim? They became Muslim through the Sufis. The Arabs never conquered the Turks. There were people in early Islam who were speaking like Hallaj, who spoke about the Truth, about reaching the Truth, about being one with the Truth, and not only they were not killed, but they were great heroes of their own culture, and there is a university in Turkey named after one [Sufi Saint.]
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
What I like about Yves Saint Laurent Black Opium is that it's an understated scent that's somehow familiar.
Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.
I never talk about anything Hollywood or about politics. I will talk about how concerned I am about funding for Planned Parenthood, and how very sad it makes me when I see anything about children being separated from their parents.
Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
My school reports always used to point out that my concentration levels were appalling. I never listened in class because I was always daydreaming about racing. I never thought for a moment about doing anything else. There was no guarantee that I'd make a career in it but I never had any plan B.
I didn't go to art school. So, I never had this moment of taking time to actually learn how to make things and learn about art history and learn about people that came before me.
'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.
There was never a point in which I was worried about being jealous about what my friends had seen or done. Instead, I felt blessed that I was able to feel what others were all about. I was enlightened by their truth and way about things.
Being known for Bond, certainly when you're in foreign countries, makes people curious. You get to see presidents because their wives were curious; their children were curious about Bond or The Saint or whatever. Then once you have your foot through the door, you can then let them see that you're serious about what you're talking about, and not just a twit.
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
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