A Quote by Pierre Corneille

A first impulse was never a crime. — © Pierre Corneille
A first impulse was never a crime.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
The solving of almost every crime mystery depends on something which seems, at first glance, to bear no relation whatever to the original crime.
Always respond to every impulse to pray. The impulse to pray may come when you are reading or when you are battling with a text. I would make an absolute law of this: always obey such an impulse.
I am one of the first political leaders officially declaring that anti-Semitism is a crime. I expect an official declaration that Islamophobia is a crime against humanity as well.
I saw that crime pays, but I never got involved in crime.
No American should be killed by a drone on American soil without first being charged with a crime, without first being found guilty of a crime by a court.
I grew up in a very working-class area with a high crime rate and when I first started to break away from my social conditioning, I fell into a life of crime.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both.
I'm not at all upset to be considered a crime novelist. But for me, it's never really about the crime or the violence. I'm much more interested in exploring issues.
The first time I read a crime novel - I think it may have been an Elmore Leonard book - it took some time for me to realise how the genre worked. There were about 20 characters on the first page, and I wasn't used to this. I started to enjoy it when I saw that was how crime books worked.
I've never had the impulse for someone else to translate me into my own language. My impulse has always been to translate someone else into mine.
I've consumed true crime since first discovering 'Helter Skelter' by Vincent Bugliosi in a used bookstore at age 9 or 10 and staring in fascination and horror at the crime-scene photos in the middle.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
This site uses cookies to ensure you get the best experience. More info...
Got it!