A Quote by Pierre Mac Orlan
[Documentary photography] is unwittingly literary, because it is nothing other than an observation of contemporary life apprehended at the right moment by an artist capable of seizing it. (1928)
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The greatest field of photography, for the literary interpretation of life, consists, to my mind, in its latent power to create, as it were, death for a single second. Any thing or person is, at will, made to die for a moment of time so immeasurably small that the return to life is effected without consciousness of the great adventure. (1928)
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
Literature especially has an interesting relationship to photography - to observation, to description, to fiction: taking something that you see and elaborating, jamming, and I think, staging.... taking that moment of observation and letting it go, giving it some wings, following it, rather than nailing it. You're riffing off of reality.
Great photography comes about at the right time but it also needs the right cut that enhances that precise moment. Photography must feed on both contents and form, if it gives up the one for the other it is not going to last.
Humanity has made a great error in seizing on a certain moment, no more intrinsically notable than any other moment and has called it Birth. The habit of honoring one single instant of the universal process to the disadvantage of other instants has done more, perhaps, than anything to obfuscate the crystal clearness of the fundamental flux.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. There will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
Photography is a response that has to do with the momentary recognition of things. Suddenly you're alive. A minute later there was nothing there. I just watched it evaporate. You look one moment and there's everything, next moment it's gone. Photography is very philosophical.
I don't know that there were any rules for documentary photography. As a matter of fact, I don't think the term was even very precise. So as far as I'm concerned, the kind of photography I did in the FSA was the kind of photography I still do today, because it is based on passionate concern for the human condition. That is the basis of all the work that I do.
The success or failure of a life, as far as posterity goes, seems to lie in the more or less luck of seizing the right moment of escape
The success or failure of a life, as far as posterity goes, seems to lie in the more or less luck of seizing the right moment of escape.
In order that the facts obtained by observation and experiment may be capable of being used in furtherance of our exact and solid knowledge, they must be apprehended and analysed according to some Conceptions which, applied for this purpose, give distinct and definite results, such as can be steadily taken hold of and reasoned from.
Photography has always been about documentary, the depiction of the instant, a moment, sometimes a place. Each project is somehow an experimentation of a specific context or a character.
'America 24/7' will be a landmark series in documentary photography and the watershed event of the new digital photography age.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
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