A Quote by Pierre Schaeffer
I'm very aware of what you're talking about as I was involved with the radio in Africa in the same period as I was doing Concrete - I was doing both at the same time.
Related Quotes
I had an extremely boring time doing 20 to 30 trades a day while everyone was talking about baseball or basketball. So I stood there fantasizing about a device that could do the same thing I was doing.
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.
Empowerment is not about doing the same thing the same way in the same environment. It's about building the man and the woman and doing so with a view to creating better citizens and, by extension, better patriots in this society of ours.
If I had an office job, I'd probably be doing the exact same thing I'm doing on television: hanging out by the water cooler and talking to co-workers about their relationships.
'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.
Detroit was an exaggeration of what was going on across the country. You could see the divisions, even within the Civil Rights Movement of that period. At the same time that Martin Luther King was talking about his dream, Malcolm X gave his most famous address in Detroit during that same period, "The Message To The Grass Roots," dismissing the notion of integration.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
Sometimes you feel some artists are doing the same thing that you're doing but in a different field. But they have the same approach. Their method of research and gathering data is the same as yours.
The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.
It's not so much about form versus functionality. Rather, it's about doing both and doing them a lot and doing them well-and that's how we should be talking about architecture.
I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.
Instead of my telling people what they should be doing, it makes more sense to be an inspiration to them. I'm not perfect by any means. I've done some stupid things, and I'm very aware of that. In this day and age, you have to have a sense of humor about it, and at the same time, it's made me a lot more aware that you have to take responsibility for your actions. For me, it's about staying on the path. If I slip, that's OK; just get back up and keep focused.
There is no secret. It is all about doing the same things time and time again. It is all about doing the best every day.
I'm a very private person, so obviously I don't enjoy talking about more personal matters. But at the same time I care very much about my work and I would like people to know that it exists. So I appreciate that there's a meeting point, where I would like people to know about the work that I'm doing, and that requires me to talk about it.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Igor Stravinsky Quotes
Russian
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Ludwig van Beethoven Quotes
German
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer