A Quote by Pierre Soulages
At 16, I decided to do something brave: I went on a prehistoric dig. In fact, I've had my name in a museum since I was 18 years old, not for my painting but for the prehistoric objects I found. That's how I started thinking about art.
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PREHISTORIC, adj. Belonging to an early period and a museum. Antedating the art and practice of perpetuating falsehood.
I am quite prehistoric, absolutely prehistoric.
Human beings are tool-making animals. Since the prehistoric era, we have created and used a wide variety of objects. But now a significant change is about to occur. In the near future, we will simply become another object that can be monitored, tracked and controlled within a vast machine.
When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.
The Japanese scientists just found a 25,000-year-old mammoth in the ice in Siberia, and they're about to clone it... You think the Japanese of all people would want nothing to do with prehistoric animals after what happened with Godzilla.
There's something about Australia that feels prehistoric.
When I was Cedrick Von Haussen, the champion of Liechtenstein, I was only 18 years old. I was super, duper young. I started traveling around for wrestling when I was 16, so I had only been wrestling a few years at that point.
There is an old joke about socialism as the synthesis of the highest achievements of the whole human history to date: from prehistoric societies it took primitivism; from the Ancient world it took slavery; from medieval society brutal domination; from capitalism exploitation; and from socialism the name.
I started hitching about the country when I was 16 or 17 years old. I found the music that was played around the country - Irish music - had a particular resonance.
When I was 16, 17, 18 years old, I felt like I had seen it all and done it all, and I was really kind of negative about everything.
I've been wrestling since I was 18 years old. And within the first five months of my wrestling career, I'd already had three concussions. And for years after that, I would get a concussion here and there, and it gets to the point that when you've been wrestling for 16 years, that adds up to a lot of concussions.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.
I heard the car door shut and then Fabian's voice. "You won't believe what I found around the edge of your property," the ghost announced. "A cave with prehistoric painting inside it!" I rolled my eyes. That was the best tactic Fabian could come up with? This was a vampire he was trying to stall, not a paleontologist.
Prehistoric art came to move me much more than Greek art. Greek art has beautiful women and handsome men, but I don't care.
I decided to do what I do when I was 2 years old. At 2 years old, you know, I heard the sound of a drum playing in the village, and I found my own drum and just picked it up and started playing, the worst song ever written by Wyclef Jean.But it actually started a vibe.
In every island of the Aegean Sea are found abundant traces of a vast prehistoric empire.
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